Bryant and May's second outing is even better than their first in Full Dark House.
We have swapped the intricacies of theatre architecture for the underworld passages that carry London's lost rivers under the capital. The action is set against an exceedingly wet London autumn and as with other of Christopher Fowler's books the detailed descriptions of the city that he loves shines through, at times his imagery is almost on a par with Peter Ackroyd.
The narrative twists and turns like the rivers he is describing and never fails to surprise and delight.
As exceedingly enjoyable book that can only herald more outings of the Met's strangest duo!