The War Lord 1965 CC

LOVEFiLM By Post

Britain’s largest choice of DVDs and Blu-rays to rent by post £7.99 per month.

Start your 30 day free trial

Existing LOVEFiLM member? Switch account

Prime and Prime Instant Video members can receive unlimited discs, two at a time, for £6.99 per month after trial.

(64) IMDb 6.9/10
LOVEFiLM By Post

Medieval drama starring Charlton Heston. While rebuilding a castle tower on the coast of Normandy in order to strengthen the authority of his master the duke, the knight Chrysagon (Heston) falls for a local woman, Bronwyn (Rosemary Forsyth). Although she is about to be married, Chrysagon exercises the ancient rite of 'le droit du seigneur' in order to claim the bride on her wedding night, thus sparking a local war and the hatred of his jealous brother Draco (Guy Stockwell).

Starring:
Henry Wilcoxon, Guy Stockwell
Rental Formats:
Blu-ray

Product Details

Discs
  • Feature parental_guidance
Runtime 2 hours 1 minute
Starring Henry Wilcoxon, Guy Stockwell, Rosemary Forsyth, Charlton Heston, Niall MacGinnis, Richard Boone, Woodrow Parfrey, Maurice Evans, Sammy Ross, James Farentino
Director Franklin J. Schaffner
Studio Eureka
Rental release 14 April 2014
Main languages English
Subtitles English

Customer Reviews

4.3 out of 5 stars

Most Helpful Customer Reviews

77 of 81 people found the following review helpful By D. C. Hamilton-williams on 16 July 2005
Format: DVD
The film was based on a play - The lovers and in parts of the film it shows, but the story paints a pageant of the 11th century and shows that the Christian relgion was still fighting the old Gods of the North in Europe (up to the 14th Century). After a first encounter between the Norman retinue of Chrysagon De Lacrue and Frisian (Norse) raiders, the film concentrates on the love story, which develops and shows the "Right (Droit)of the Seigneur" - a legalised rape that remained in Europe into the 14th century. Unfortunately, Rosemary Forsyth lacks either the acting experience, or personality to make Chrysagons betrayal of everything he has striven for with his sword for over 20 years, seem plausible. As his brother comments, "Why don't you just sleep with her?" Captured in the battle is a young boy who turns out to be the son of the chieftan who impoverished Chrysagon's father and by doing so made paupers of him and his brother Draco - by charging an extortionate ransom for their captured father. All fairs well at first, until Chrysagon claims the 'right of Droit Seigneur' and beds the village girl he is taken with on her wedding night. In the morning he cannot give her back and the villagers go to the Frisian chief with the news that the boy lives. It is sad that the film does not show that the Friesans and the villages share the same religion and relatives as the play did.
At this point the film suddenly changes pace, with the love making of Chrysagon and his serf "Lady" being literally interrupted by the first Frisian attack on the stone tower housing the Normans. The screen is ablaze with action as arrows fly, swords and axes swing and the Normans exert super-human effort to avoid being over run by hordes of barbarians.
Read more ›
2 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
6 of 6 people found the following review helpful By Spike Owen TOP 500 REVIEWER on 16 Feb 2011
Format: DVD
The War Lord stars Charlton Heston, Richard Boone, Rosemary Forsyth, Guy Stockwell, Maurice Evans, Niall MacGinnis, Henry Wilcoxon and James Farentino, amongst others. It's directed by future Oscar winning Director Franklin J. Schaffner (Best Director for Patton), and the screenplay is by PJohn Collier with the adaptation coming from the play, The Lovers, written by Leslie Stevens.

The War Lord harks back to days of yore as we enter the 11th century and ancient Normandy. The film successfully brings the period down to the nitty gritty and doesn't glamorise either the characters or the way of life of the various social dwellers. Time has been afforded the pagan mythologies that existed back then, whilst the upper class' rights such as "droit de seigneur" (ius primae noctis) forms the back bone for our story as Heston's Duke falls for the Druid peasantry virgin (Rosemary Forsyth) he has claimed his right too, tho his inner conflict with the ways irks him so. Thanks to Schaffner the film manages to blend its dialogue heavy plot with some well crafted battle scenes, with the use of weaponry and tactics particularly impressive. You can see that this hasn't just been thrown together as a cash in historical epic featuring Chuck Heston. The cast are strong, particularly Boone and Stockwell, while Jerome Moross (score) and Russell Metty (cinematography) capture the time frame with skill.

Rarely talked about in terms of historical epics, or even Heston epics come to that, The War Lord is however one of the more tightly written and thematically interesting movies from the genre. 7/10
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
43 of 46 people found the following review helpful By Trevor Willsmer HALL OF FAMETOP 50 REVIEWER on 1 Feb 2008
Format: DVD
A flop on its initial release and rarely revived since, The War Lord is one of the most interesting Sixties historical pictures. Dealing with the doomed love affair of a Norman knight and one of his vassals, Charlton Heston spent several years trying to get the picture into production (even approaching such unlikely potential directors as David Lean, Laurence Olivier, Carol Reed and Peter Ustinov) only to see it hacked down to two hours from final choice Franklin J. Schaffner's 171-minute rough cut to make it more of an action picture and highlight the siege finale.

There are obvious holes in the narrative, which may or may not be due to the cutting: it is never made clear why the dwarf turns against Chrysagon, while Rosemary Forsyth disappears for much of the last third of the picture while the battles rage. Budgetary limitations also make themselves felt in the unconvincing back projection. Similarly, while he maintains an imposing physical presence, Richard Boone gives the impression of having walked onto the wrong set by mistake every time he opens his mouth, but the rest of the cast fit their roles well, although the clash of accents makes itself felt on more than one occasion (Niall MacGinnis' Shire tones are wildly at odds with 'son' James Farentino's American, but thankfully no-one attempts a French accent). Yet these can forgiven in light of many of the film's achievements.

Although by no means at his best, Heston gradually impresses as the pauper knight who loses what he has fought his whole life to regain, ending his family line in the process over the only thing he has ever wanted for himself.
Read more ›
4 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again