The Wait of Glory: +DVD [Limited Edition, Special Edition]

Proto-Kaw is on fire with their sophomore release, "The Wait of Glory", which takes up where "Before Became After" left off, taking the band's music to new heights. The songs are all new, where the last release was a blend of old and new. The lineup is the same as before, with one change and one addition, Mike Patrum having replaced Brad Schulz on drums and multi-instrumentalist/vocalist Jake Livgren (nephew of Kerry) has been added to the team as something of a utility fielder. Original members John Bolton (sax/flute), Kerry Livgren (guitars/keyboards), Lynn Meredith (vocals), Dan Wright (keyboards) & Craig Kew (bass). Another new sound in the mix is the trumpet & flugelhorn of Daryl Batchelor, who plays on few tracks. Having 2 saxes and a trumpet provides a much more saturated horn sound for several of the songs.

It's difficult to know how to describe Proto-Kaw, because there is truly no one like them, which makes comparisons nearly impossible. Naturally, as all the music is penned by Kerry Livgren, you will hear a riff here, a phrasing there, that belies his style, yet for each band he has played with and written for, something unique has happened musically. There are the slightest hints of past songs, as wine will be flavored by the surroundings of where it's grapes were grown. Each band Kerry has written for has been part of his development as a song writer.

Each band has been a catalyst for new creativity. Proto-Kaw is now providing that synergy of talent. In writing for this CD, Livgren has seized on the strengths of the band, pulled out the stops and pushed the limits. "On 'The Wait of Glory' we went into it as a functioning band. I knew what the band sounded like and what they were capable of. 'Before Became After,' that was all totally unknown and a roll of the dice. With this album, I was able to write the material envisioning the band that was going to be performing it," he says.

P-K is definitely American Prog-Rock -- infused with American musical idioms, not in the lineage of the Canterbury bands. Symphonic Art Rock coexists with elements of Jazz and R&B; majestic themes abutting hard rocking jams. The band at times chases through labyrinthine rhythms and time signatures and then suddenly breaks free into the wide open spaces of straight ahead rock.

There's Symphonic Art Rock. There's Jazz Fusion. There's simple beauty. There are rockin' jams. Then there's the funk! Yes, funk finds its way into the mix, too. "Old Number 63" has a driving beat with an R&B vibe, James Brown-esque screams and Tower of Power style horns, Bolton armed with a growling bari-sax. The verses are spoken, coming about as close to rap as is comfortable for this prog fan, but it works.

"Osvaldo's Groceries" gets the award for quirkiest track. It's the lone instrumental tune, moving kaleidoscopically through a variety of styles very quickly including a touch of Eastern European accordion and Munchkins from Mars singing in the background. (you'll see what I mean when you listen) Comparison's might be made to Gentle Giant or Happy the Man, though it is a point of reference primarily in the compositional complexity, the juxtaposition of elements. I think this one would have made Frank Zappa smile.

The pacing of "The Wait of Glory" is excellent as the band moves from song to song, style to style sometimes from track to track, sometimes within tracks. With "The Wait of Glory" Proto-Kaw continues to define and redefine the sound of progressive rock. For those familiar with "Before Became After," "The Wait of Glory" has all that and more! In some respects, the band has reached back into the exuberance of when they recorded the demos which became "Proto-Kaw: Early Recordings from Kansas 1971-73," if not in the wild experimentation, certainly in ebullience. Proto-Kaw is solidly progressive, but never forgets how to rock! Here's hoping this one sets the progressive rock scene ablaze. "The Wait of Glory" is definitely worth it's "wait" in gold.

After reading the reviews posted, many of my assessments and comments are already presented more than adequately. I do not wish to be too repetitive, but I will summarize my thoughts and echo some findings in way of confirmation.

I believe this album should be considered in the top drawer and among the best of Kerry Livgren's works. While I enjoy his solo efforts, Kerry is still at his best within the context of a talented band who knows how to interpret his compositions. I also think he feeds off the energy and creativity of the other guys and is it ever evident in this offering. Also, this effort represents more of a band/team orientation. This time out, Livgren's writing was with full consideration of the players and their strengths. And they all have strengths in their own right, believe me.

More involvement from Kerry's nephew, Jake Livgren on vocals is a real win. As already mentioned, Jake and Lynn Meredith have different but very complementary qualities. The harmonies are tight and demonstrate an excellent blend. The use of two vocalists seems to be favored by Kerry and it looks like he now has two very talented singers to work with in Proto-Kaw.

The subject matter of the compositions does seem to thread a theme through and the songs flow in a very cohesive way. It is one of those albums that is hard to chop up or listen to here and there. It beckons to be played from start to finish in one setting.

This is good music folks! Kerry has always been about substance in the lyrical department and this is perhaps some of his best work. Musically, it is a treasure trove of various influences with a few surprises here and there. I agree with another reviewer who said there were a number of songs here that could and should receive radio play. We can only hope ...

So far I have to say I've listened to The Wait of Glory several times and it has moved up in my estimation with each spin. If you are a Kerry/Kansas or Prog fan, you can't go wrong with this CD.

- Scriptor

Proto-Kaw's first release showed the world that these were incredibly skilled musicians and performers, able to produce thoughtful music that takes great risks and delivers awesome power. This sophomore release by the group marks their transition into a full-fledged band.

The Wait Of Glory, a title that is a double-entendre of the famous CS Lewis quote, is a CD that opens with a challenging 9-minute plus song. Well-executed and crafted, Nevermore takes the listener on a journey through a labyrinth of styles and time signatures. While the journey may leave the listener a bit breathless and filled with questions, the delight of the remainder of the album does not fail to keep the opening standard.

This CD presents a Kerry Livgren of a more brooding and cerebral nature than we've heard in a while. The content of the songs keep the listener transfixed. "On The Eve Of The Great Decline" is a song that Kansas would never have been able to pull off, given the increasing presure from their record label of the '70s to give a hit song.

Lynn Meredith has shifted his vocals a bit and dropped the moments of ultra-melodrama from his inflections. He sounds more confident and appropriate to the sound of this band.

In a way, this CD better reflects what Kansas was and could have been if the music industry would have had a little faith in the original group.

Proto-Kaw's Wait Of Glory will not only decree these guys as the true forefathers of Kansas as a progressive group, but as noble embassadors of phenomenal music.

Worth every penny. Bound to be one of the best prog albums of 2006, possibly of all time.