Andrea Barrett combines two 19th century themes in the restrained but tender "Voyage of the Narwhal": the story-telling drive of the Victorian novel and the discovery of new worlds, both scientific and geographical. The crew of The Narwhal sets out in 1854 to explore the Artic region. During their journey, relationships and power subtly shift among the crew as the expedition runs into difficulties.
Zeke, the debonair young captain has set sails looking for a boy's own adventure. His fellow officer Erasmus, the ship's botanist, is a much more introvert character, marked by disappointments in his private and professional life. These two men's contrasting outlooks provide the book with its centre of tension: In life, should we observe or should we act? A meeting with the native Inuit underlines this question, and makes the narrative gather pace after a more pensive first half.
Parallel to men's hardships in the Arctic, Barrett also follows the lives of the women left behind. Lavinia, Erasmus' sister and Zeke's fiancée, is only pining for her loved ones' return. Her companion Alexandra, on the other hand, feels confined by her traditional domestic role. Again, there's a dynamic between act/observe, but it's delicately handled and never becomes overly explicit.
On one page, Barrett remarks that the harsh climate of the Arctic makes everything grow in miniature: small but perfectly formed flowers and plants. The same goes for this book, which so carefully portrays the thawing of a frozen heart.