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The Voice of the Spirits: A Commandant de Palma Investigation [Hardcover]

Xavier-Marie Bonnot , Justin Phipps
4.5 out of 5 stars  See all reviews (2 customer reviews)
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Book Description

1 Mar 2012

When Commandant Michel de Palma follows an anonymous tip-off to a gated mansion by the coast, he finds a body whose face is obscured by a fearsome tribal mask, beneath it a mysterious wound that could not have been caused by a bullet. Surrounded by scores of masks and painted skulls, de Palma hears the haunting strains of a primal flute from the floors above.

With few leads to go on, de Palma delves into an account of the murdered doctor's voyage to Papua New Guinea seventy years earlier, accompanied by a fellow amasser of Oceanic art, Robert Ballancourt. As the doctor's attractive but distant granddaughter offers de Palma further insights into her grandfather's second life as an intrepid collector, he and his team stumble upon an art-smuggling ring working out of Marseilles' dilapidated docks. But when his chief suspect is found dead, killed by the same method as Dr Delorme, even de Palma begins to wonder whether the bodies on his hands are the victims of spirits intent on revenge.

The rituals of Papuan warriors and headhunters - whose traditional way of life endured until deep into the twentieth century - form the intriguing backdrop to The Voice of the Spirits, another subtle yet satisfying novel from one of France's most original and thought-provoking crime writers.


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Product details

  • Hardcover: 304 pages
  • Publisher: MacLehose Press (1 Mar 2012)
  • Language: English
  • ISBN-10: 085705077X
  • ISBN-13: 978-0857050779
  • Product Dimensions: 16.2 x 24.1 cm
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 150,003 in Books (See Top 100 in Books)

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Review

'It's a crime yarn with an intriguing backdrop, written in a subtle yet gripping style' Destination France Magazine.

'intriguing and enjoyable' Eurocrime.

From the Inside Flap

When Commandant Michel de Palma follows an anonymous tip-off to a gated mansion by the coast, he finds a body whose face is obscured by a fearsome tribal mask, beneath it a mysterious wound that could not have been caused by a bullet. Surrounded by scores of masks and painted skulls, de Palma hears the haunting strains of a primal flute from the floors above. With few leads to go on, de Palma delves into an account of the murdered doctor's voyage to Papua New Guinea seventy years earlier. As the doctor's attractive but distant granddaughter offers the commandant further insights into her grandfather's second life as an intrepid collector, he and his team stumble upon an art-smuggling ring working out of the Marseille docks. But when his chief suspect is found dead, killed by the same method as Dr Delorme, even de Palma begins to wonder whether the bodies on his hands are not the victims of spirits intent on revenge. The rituals of Papuan warriors and headhunters - whose traditional way of life endured until late into the twentieth century - form the intriguing backdrop to another subtle novel from one of France's most thought-provoking crime writers.


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Customer Reviews

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Most Helpful Customer Reviews
3 of 3 people found the following review helpful
5.0 out of 5 stars The Voice of the Spirits--Xavier-Marie Bonnot 24 Mar 2012
By Simon Clarke TOP 500 REVIEWER
Format:Hardcover|Amazon Verified Purchase
This is the third,and very likely the best of the novels
featuring the Marseille detective,Commandant Michel de
Palma.He is nearing retirement,when ,as a result of a
tip-off,he discovers the body of an elderly retired
physician,fatally wounded,and with a tribal mask covering
his face.
The diseased was a collector of masks from Papua new Guinea,
and as de Palma studies an account the physician's journey
to Papua New Guinea many years previously,he is faced with
a similar murder and the discovery of the smuggling of artistic
artifacts.
De Palma is an engaging appealing character.He is always a
pleasure to read about,and the novel is an unusual,exciting
mystery,that highlights the unsettling effects of Western
influence on primitive cultures.
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1 of 1 people found the following review helpful
4.0 out of 5 stars Voices from the past... 20 Jun 2012
By Raven TOP 500 REVIEWER
Format:Hardcover
Opening with the steamy and luscious surrounds of 1930`s Papua New Guinea in the company of artefact seekers and then transporting us to modern day Marseilles, Bonnot has constructed a thriller that is not only thoughtful and intelligent but demonstrates an exceptional attention to detail. The murders in the contemporary story are committed in the traditional style of the head-hunters of New Guinea which does make for interesting interludes for exploring the anthropological history and tribal ceremonies of this region with much pursuing of sacred skulls, and the tracking of a killer well-versed in these traditional hunting methods, as the sins of the past impact on the present.
The main plot is driven and shaped by the razor-sharp detection of the utterly charming Commandant Michel de Palma. De Palma is a detective fuelled by logic and rational reasoning but this leaves him open to try and conduct his personal affairs with the same thought processes instead of acting impetuously in his pursuit of the buxom beauty Eva from the bakery - but will his tentative approach eventually pay off? His police counterparts are also extremely well drawn and I particularly like the relationship between himself and Maistre who himself likes nothing better than donning his housewife's apron and preparing (admittedly frozen) meals for his friend and boss even if de Palma does chide him for dressing up like his Nan to do this.
The only bone of contention with me was the sometimes clunky translation from the original French where very modern English colloquialisms sit uneasily beside translations like 'Hop it'. I don't think I have heard anyone say "Hop it" apart from Dixon of Dock Green and Stanley Holloway as a chirpy Cockney character in the 1950's so these incidents of idiomatic irregularity were slightly irritating. However, this is not the only translated crime fiction where this is a problem and did not detract from my overall enjoyment of the book and the pleasure gained from the backdrop of history that Bonnot provides along with a fascinating and twisting murder plot peopled by some great characterisation.
Comment | 
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.0 out of 5 stars  1 review
4.0 out of 5 stars Voice of the past... 20 Jun 2012
By Raven - Published on Amazon.com
Format:Hardcover
Opening with the steamy and luscious surrounds of 1930`s Papua New Guinea in the company of artefact seekers and then transporting us to modern day Marseilles, Bonnot has constructed a thriller that is not only thoughtful and intelligent but demonstrates an exceptional attention to detail. The murders in the contemporary story are committed in the traditional style of the head-hunters of New Guinea which does make for interesting interludes for exploring the anthropological history and tribal ceremonies of this region with much pursuing of sacred skulls, and the tracking of a killer well-versed in these traditional hunting methods, as the sins of the past impact on the present.
The main plot is driven and shaped by the razor-sharp detection of the utterly charming Commandant Michel de Palma. De Palma is a detective fuelled by logic and rational reasoning but this leaves him open to try and conduct his personal affairs with the same thought processes instead of acting impetuously in his pursuit of the buxom beauty Eva from the bakery - but will his tentative approach eventually pay off? His police counterparts are also extremely well drawn and I particularly like the relationship between himself and Maistre who himself likes nothing better than donning his housewife's apron and preparing (admittedly frozen) meals for his friend and boss even if de Palma does chide him for dressing up like his Nan to do this.
The only bone of contention with me was the sometimes clunky translation from the original French where very modern English colloquialisms sit uneasily beside translations like 'Hop it'. I don't think I have heard anyone say "Hop it" apart from Dixon of Dock Green and Stanley Holloway as a chirpy Cockney character in the 1950's so these incidents of idiomatic irregularity were slightly irritating. However, this is not the only translated crime fiction where this is a problem and did not detract from my overall enjoyment of the book and the pleasure gained from the backdrop of history that Bonnot provides along with a fascinating and twisting murder plot peopled by some great characterisation.
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