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"The Village Green Preservation Society" runs like a series of pictures, sepia tinted photographs of an idyll that was already in decline. The band utilise a basic rock format of drums, guitar, bass, piano, without the big brass arrangements etc that are employed on a number of later albums. The album is lightly produced, under-produced even, giving it a stripped, open feel. These songs don't need fancy costume to stand out from the crowd. They shine all the more brightly for their near-nakedness.
Throughout there is an underlying air of sadness and regret in these evocations of a world gradually slipping from view. In the edgy atmosphere of 1968 - flower power was so last year - this album, more John Betjeman than Hunter S Thompson, must have sounded out of place and sales at the time were negligible. Fortunately history has been kind and it has since acquired classic status, with complete justification. So we can still enjoy its nostalgic reverie for an England before the DIY superstore and the Drive-Thru McDonalds that to many of us living in towns and cities now seems little more than a dream.
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