Lincoln Rhyme and Amelia Sachs are back in town, this time to solve a baffling series of crimes committed by a master illusionist with a vengeance and a a double, nay, a triple agenda.
Deaver is, without doubt, the Man with the Master Plot who puts layer upon layer of deceit and illusion, and who sends his reader to all the wrong corners. Forensic science and the world of the great illusionists are coming to together in a whirlwind that leaves the reader (to his or her delight) in utter bewilderness.
But there is also something amiss here. In his earlier novels Deaver was as much interested in the interplay between the protagonists - the quadriplegic Rhyme and his 'eyes on foot', Amelia Sachs - as in plotting and scheming. But the forensic part of their relationship is almost perfunctorily done with here, and their personal interplay doesn't develop at all. In fact, the main protagonist, Kara (an iiluusionist who's helping Rhyme with his investigations), is much more interesting than our heroes, and that leaves this novel rather uneven.
Besides, there is more than an echo of Carol O'Connell's brilliant themes about the world of crime & illusion (i.e. "Shellgame") than I would care to read, and, frankly, O'Connell is much, much better in this area.
Nevertheless, Deaver's latest is highly entertaining and certainly a must for his fans, and so much better than 'The Blue Nowhere'.