Product details
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| Disc: 1 | |||
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| 1. Downtown | |||
| 2. Don't Sleep In The Subway | |||
| 3. My Love | |||
| 4. I Couldn't Live Without Your Love | |||
| 5. This Is My Song | |||
| 6. I Know A Place | |||
| 7. Other Man's Grass (Is Always Greener) | |||
| 8. You're The One | |||
| 9. Round Every Corner | |||
| 10. Sign Of The Times | |||
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| Disc: 2 | |||
| 1. Memories Of Love | |||
| 2. La Vie En Rose | |||
| 3. I Don't Know How To Love Him | |||
| 4. Look To The Rainbow | |||
| 5. London Is London | |||
| 6. On The Path Of Glory (Petula Clark & Harry Belafonte) | |||
| 7. Windmills Of Your Mind (Petula Clark & Michel LeGrand) | |||
| 8. Wedding Song (There Is Love) | |||
| 9. Never Been A Horse That Couldn't Be Rode | |||
| 10. Twelfth Of Never | |||
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The pre-Downtown era is also represented by With all my heart, My friend the sea, Romeo and Sailor (a hit in America for Lolita under its German title Seemann). It also includes Chariot, a French million-seller, for which Petula recorded an English version called I will follow him (not included here). Petula's English version did not chart in Britain or America (although it did well in other countries), but Little Peggy March covered it and had an American chart-topper with it, and also had a British hit with it.
The peak years are represented by mostly the obvious tracks, though it is nice to see Two rivers included. This is a song Petula wrote herself about her divided loyalties between London, where she spent her early years, and Paris, where she has lived ever since.
The seventies and beyond are represented by an assortment of stage and movie songs along with a few other songs. These are often different from those selected for the Downtown to Sunset Boulevard compilation - Finian's rainbow and Goodbye Mr Chips are represented on each compilation by different songs - so you may find it worth buying this whatever music of Petula's you already have.
The variety of different songs and styles included here is breathtaking, which may not suit everybody, but demonstrates that Petula could sing just about any type of song and sound fantastic - and helps to explain why Petula has sold more records than any other British female singers, then or since.
If you don't have any of Petula's music, this is an excellent career-spanning collection, although if you are only interested in her sixties music, there are several other collections that cover that music extremely well without any of the other stuff.
If you decide to buy this, you will enjoy many happy hours listening, whether you give it dedicated attention or play it as background music.
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