For any serious, as opposed to obsessive fan, this largely excellent collection contains about as much Chuck Berry as anyone could ever want, and the contents are mostly well chosen. There are a fair number of obscure gems here that will please anyone who's enjoyed a single disc compilation and wondered if there was any more worth hearing: Childhood Sweetheart, Betty Jean, Little Marie (a surprisingly good sequel to Memphis Tennessee using the same tune but far better played and recorded), a fine cover of The Things I Used To Do, plus (nearly) all his classics and some fine minor hits such as Almost Grown, I'm Talking About You, You Can't Catch Me.
So it seems churlish to point out the defects that make this a 4 star collection as opposed to a 5 star one, but defects there are. First and foremost is the omission of the wonderful hit version of Sweet Little Rock And Roller in favour of an alternate version. This isn't just an alternate take but a completely different arrangement. The hit version, with its spine-tingling guitar solo, is essential, this is merely an interesting alternative version, only of interest to completists - and it seems likely the inclusion of the wrong one was careless, not deliberate. Secondly, while the sound quality is good to excellent throughout, far too many of the 60s tunes are presented here in stereo. As a general rule, pop singles (and we are talking rock'n'roll here) from before about 1966 should be presented in mono - the stereo mixes were always an afterthought, the mono ones almost always sound better - as for instance on the Rolling Stones' Singles Collection; note also that the first stereo single was Hey Jude in 1968. These aren't the worst examples I've heard by any means, but what's wrong with the mono versions? And finally, there are a few tunes here that really didn't need reviving. Foremost among these, of course, is the hideous and perhaps unavoidable My Ding-A-Ling, but several far more obscure tunes have either dated badly (Havana Moon), are cheesy, contrived novelties (Too Pooped To Pop) or just lame and out of tune (House Of Blue Lights). It's notable that of those four, Chuck only wrote Havana Moon, and that's a thinly disguised re-write of Louie Louie.
So not a perfect compilation - I'd hoped I'd never need any other Chuck Berry CD but I'm going to have to hold on to the one with the proper version of Sweet Little Rock And Roller on it - but having said all that, 90% of this is completely brilliant, stereo mixes or not, so if you want a lot of Chuck's classics and you're on a budget, this is unbeatable.