There are several very good writers among the critics whose interests and affiliations get them styled "New Americanists"; Hoberek is the best. No flashy neologisms, no sentences overburdened with allusions, no abrupt shifts in register to demonstrate his hipness, and no provocations for the purpose of getting himself talked about ("Can you believe what that guy said?"). Just simple, clear prose that synthesizes and builds upon recent thinking about the role of work in the self-image of the middle class, particularly as revealed through fiction. Hoberek's goal is to analyze and expose the fantasies of autonomy created by mental laborers (artists among them) loath to admit that they inhabit the same economic sphere as, and often are, employees; but hundreds of little ancillary insights enrich the text, locating each author under discussion in a context of literature, history, and their associated ideologies, making a reader feel that this little book encompasses a huge world of cultural analysis.