I frequently argue that the breadth of Lasch's moral vision requires a thorough reading of his ouevre, not just an individual title. That said, TRUE AND ONLY HEAVEN comes the closest to encapsulating what Lasch, as one of the last best public intellectuals, had to say. Part of HEAVEN's success in this regard is its simple length, which allows for a more comprehensive statement. More important, though, is that here finally Lasch is explicitly taking as subject what was his central obsession all along: the locomotive degradation of allegiance to the Jeffersonian ideal in a heedless process called "progress." Those accustomed to the spirited polemic of his more famous work may find themselves slowed by the more overtly scholarly nature of this one, but the payoff is big in terms of a foundation in the animating ideas of the lifework of the best cultural critic of his era. Lasch is never simple. He is always subtle, and always stoic: he makes Hawthorne and Nietszche look like playground amatuers. More importantly, his perspective is radical enough (meaning, truly alternative--almost anarchic)and his arguments innovative enough that one may finish his book and only think one has read it. A close, careful read, however, will yield a take on the malaise critical to any sort of "progress" in the discourse about the future of democracy in America.