The first proper CD by Laura Veirs established the basic blueprint for her best work - both in terms of the particular qualities of her best song-writing and of the musical/production combination that serves her talent best. (A laid-back, restrained band, Tucker Martine's more minimalist approach to production , and input from more left-field musicians like Eyvind Kang and, on later CDs, Bill Frisell). That is to say this CD sets the stage for Troubled By Fire and Carbon Glacier, with Year of Meteors just getting past my personal quality bar. This CD is very enjoyable for its own sake, but it's also interesting because it indirectly sets out the creative tensions that make her best songs work by showing her influences. There's a playful sense of looking back to blues, folk and country traditions while at the same time busily developing a lyrical gift and a sound that's all her own. It's the loss of this tension between old established musical traditions and the landscape they evoke and her own humour, observational insight and sense of wonder that, by their absense, will later make Saltbreakers such a thin, disappointing CD. (It's hard to believe that two people as talented as Veirs and Martine could actually have produced something quite as bad as Phantom Mountain, track ten on Saltbreakers). If I had to choose a couple of songs here that demonstrate all this I'd go for Blackeyed Susan -it's half-humorous, half mystical lyrics (about a small flower and the company it offers!) and the sparse, atmospheric space of the music perfectly match each other, as do the lyrics and music on Raven Marching Band.
So why only four stars - partly because far to many people give five to work that really doesn't deserve half that, so I'd like to start a movement for reviewers to keep things in proportion, and partly because although I think Laura Veirs is a very good artist indeed, to my mind only Troubled by Fire and Carbon Glacier are up there in the five star category..