"The Tribal Eye" is a look by Attenborough at the persistence of unspeakably ancient tribal art and customs from prehistoric times into the 1970s. The first episode of Tribal Eye is my favourite, a look at Dogon wood carving and the Dogon religion and rituals, including a rare look at the porridge-coated figures inside the temples themselves. Another good episode is the one depicting the continuing tradition of naturalistic bronze portraiture in Benin. Both the Dogon and Benin are rare examples of unchanged primitive cultures that nevertheless make a large number of metal objects (iron objects among the Dogon, bronze in Benin).
However, I regard the best thing on the disc set, by far, to be the bonus two part documentary "The Miracle of Bali". Here Attenborough presents the Balinese culture in very interesting detail.
The first episode "Midday Sun" deals with what you might call the "bright, daytime" side of Balinese culture, with a detailed and fascinating look at the gamelan music and ladong dancers of Bali. The gamelan orchestra, which so fascinated Claude Debussy, is one of the few types of nonWestern music to use large orchestras with something like multi-part harmony, with many eerie local musical scales used only by a single village and no other.
The dancing is also really fascinating, a remnant of the Hindu princely culture of Java. This culture was brought to Bali when invading Muslims drove out the Hindu princes around 1500.
The second episode, however, is unmissable. Entitled "Night", it offers a very, very rare look at the "dark, nocturnal" side of Balinese Hinduism. Balinese Hinduism was formed from a combination of indigenous Javanese and Balinese paganism with Hinduism brought from India. The Balinese religion is still a primitive and shamanistic religion with plenty of emphasis on trances, ecstatic experiences and possession by animal spirits.
One hears so much about how the earliest religions, worldwide, were like this, but it is rare to be able to see good footage of this sort on the screen; a religion, as it were, before it has been diluted by later inevitable formalisation and taming down which happened in most religions. If you ever were fascinated by the Greco-Roman era ecstatic cults of Dionysos and Cybele, with their adherents becoming possessed by the deity, then watch this.
Attenborough shows footage of people entering trances in communion with the spirit world, with the help of trance-dolls suspended on a kind of washing line. As the dolls are shaken and come together in clouds of incense, two formally dressed adherents also enter a trance and do strange acts that would allegedly be impossible if they were not entranced.
He also shows a fireside ritual at which a man dressed in straw becomes possessed by the spirit of a pig, becoming suddenly endowed with superhuman strength and acting completely irrationally. It takes six men to hold down this one man once he becomes possessed. They bring him back to reality with sacred water, at which point he does not remember a single thing about what happened. More footage shows people being possessed by horse-spirits.
Finally, footage shows the famous ritual play of Rangda and Barong, in which is enacted the old Balinese myth of the demon-queen Rangda being overcome by the benevolent lion Barong. During the ceremony adherents become possessed by Barong and stab themselves with razor sharp daggers and swords, which bend and do not hurt them. However, the ceremony is cut short when the actor inside the Rangda costume himself becomes possessed and ceases to be rational.
The locals claim that the very mask used by Rangda the Demon-Queen (white and entusked with a huge red tongue and staring eyes) is haunted. It is cut from a tree specially grown in a graveyard, and when it is cut it is hung in a graveyard every night to soak up dreadful spirits from the graves. The locals claim that the mask itself shakes and groans in its basket when it is in storage, and will even float out of it and be suspended above by evil powers.
I am particularly fascinated by these images because my mother comes from Indonesia (Balinese Hinduism was once common throughout the Indes until the Muslims forced the Hindu princes to flee around the 1500s; indigenous Hinduism is still very common among ordinary Indonesians). She told me stories very much like this, with Javanese Hindus becoming possessed by monkey-spirits, turning into pigs, putting curses on each other and suchlike. (My Dad, from Malaysia, has similar stories).
The story of the Rangda mask reminds me of an Indonesian family friend who was a servant in a prince's house in Java and had to polish his krisses. He claimed that he would see evil spirits coming out of the krisses like smoke and being suspended above.
You may, on the other hand, simply be interested in seeing rare footage of this incredible religion that is so much like the earliest forms of religion worldwide. I am quite sure that the shamanistic religion of Mongolia, of the Americas, of Australia, as well as the ancient cult of Dionysos, were something like Balinese Hinduism.