In the post-Cold War days immediately prior to 9/11, Milo Weaver, a "tourist" for the CIA--an agent without a home base--dealt with issues like finding war criminals, watching émigré Russians living in extravagant style abroad, and looking for three million dollars thought to have been stolen by Frank Dawdle, the CIA station chief in Slovenia. Milo, a failed suicide addicted to Dexedrine, has seen too much violence and crime. Watching a Russian pedophile throw a thirteen-year-old girl off a balcony in Venice, seeing an influential CIA man betray his country, and being shot and nearly killed when that agent is murdered by another "tourist," has just about done him in.
Six years later, Milo is happily married to a woman whose life he saved, with a six year-old stepdaughter who adores him. Though he is no longer a "tourist," he is still working for the CIA, investigating "The Tiger," one of the most vicious killers in the world, an equal-opportunity assassin who has killed, among others, both an influential cleric in the Sudan and the French foreign minister. No one knows for whom he works. When Milo tracks him down, he learns that the Tiger has actually planned their meeting, deliberately leaving a trail for him because he wants to meet him. The Tiger wants Milo to find and kill the man who has commissioned all the international killings--and ultimately, the man who has arranged for the Tiger's own death.
The evolving action reveals much about the internecine squabbles within the CIA, between the CIA and Homeland Security, and between Congressmen and both organizations. The number of betrayals is astonishing, high level agents with personal rather than national agendas, double agents, agents who sell out each other, and trained agents who disappear to assume new identities and freelance on a global scale--for a fee. Homeland Security and the CIA distrust each other, and key information is not shared. Congressmen sometimes run their own investigations, and no one can be trusted.
As this intricately constructed novel moves back and forth in time, the reader must constantly consider several basic issues: Who is the Tiger? Who is Milo? And, finally, is the information that the author provides about these and other characters reliable, or is the author himself acting as a "double agent"? The reader must constantly act as a "tourist" here, accumulating hints but not knowing much definite information about Milo and other main characters until well into the novel. While this involves the reader in the action, the lack of certainty about some characters keeps them (especially Milo), at arm's length. Numerous aliases for important characters occasionally lead to confusion. Still, the novel is exciting as Steinhauer capably unites disparate threads to keep the suspense high and his readers involved. n Mary Whipple
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