This superb story of cross-historical conflict, exile and redemption makes plain an often unpalatable truth: that by and large, the perpetrators of the worst abuses against nations and their component peoples are not monsters.
What shocks us most about the greatest excesses of the twentieth century is the ease with which ordinary people with desires, interests and sympathies acceptable to the common majority advocated, accepted or indulged in massacre for the sake of national /political agendas and living space. In this respect, Kopperud gives us some interesting, flip-side views: Manfred's bright, symphonic renderings of his own war-time activities and relationships; Markus's colourful and uplifting imaginings and fables against a backdrop of burning villages and violated bodies; Rachel's horror at the mirror-image vindictiveness of the Jews' fight for a homeland and her treatment at their hands.
To make sense of the beliefs, actions and decisions of all Kopperud's characters is to understand the inherent capriciousness of humankind. Societies will continue to find cause to argue, and people will continue to kill for the sake of God, politics and space. When Markus as an old man in a new war asks a combatant how he will explain his actions to his God, you can pretty much insert your own answer: Because it was right. Because this is war. Because this is how it always is.
Excellent. Buy it.