Review
Bad blood, bad art... industrial history, art history and good
goosip. -- Economist, March 1st 2007
Bad blood, bad art... industrial history, art history and good
gossip. -- Economist, March 2nd 2007
Litchfield cuts through the smoke an mirrors that disguised the
true source and creation of the 'world's greatest private art collection'
-- State of Art, Spring 2007
Litchfield portrays the Thyssen family as a tribe without taste,
morals or manners... hugely entertaining
-- Daily Telegraph 24th February 2007
Riveting... you couldn't make it up
-- Tatler, March 2007
The Thyssens make the House of Atreus look cosy -- Times Literary Supplement, 13th April 2007
The most complete story of the Thyssens... An achievement -- Time Out, 9th May 2007
This a remarkable book, a cautionary tale... money does not bring
happiness. -- Spectator, March 24th 2007
goosip. -- Economist, March 1st 2007
Bad blood, bad art... industrial history, art history and good
gossip. -- Economist, March 2nd 2007
Litchfield cuts through the smoke an mirrors that disguised the
true source and creation of the 'world's greatest private art collection'
-- State of Art, Spring 2007
Litchfield portrays the Thyssen family as a tribe without taste,
morals or manners... hugely entertaining
-- Daily Telegraph 24th February 2007
Riveting... you couldn't make it up
-- Tatler, March 2007
The Thyssens make the House of Atreus look cosy -- Times Literary Supplement, 13th April 2007
The most complete story of the Thyssens... An achievement -- Time Out, 9th May 2007
This a remarkable book, a cautionary tale... money does not bring
happiness. -- Spectator, March 24th 2007
From the Publisher
The Nobel Prize winner Elfriede Jelinek has used David Litchfield's The Thyssen Art Macabre as the basis for her new play 'Rechnitz (Der Wuergeengel)'
