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Thin Red Line has the compelling quality of not being constrained by a narrative. It really seems to follow the fortunes of a group of men at war without concern for dramatic effect, plot, or any of the things which are so absent from our own real lives - whether we're at war or on our daily commute. Thus the great action scenes happen early on, then fade out. And time after time after time, the viewer is left thinking "does it end now?". Infantrymen in the Pacific must have thought the same.
Does this make for a fun, unchallenging evening's cinema? No. If you want one, go elsewhere. But the battle scenes, though different to Ryan, have a similarly authentic feel; and many of the cameo performances are great. Put in the effort and watch this film.
A scene depicting two soldiers getting shot while approaching a bunker is superbly complimented by the sun peaking out from the clouds just after they have fallen and disappeared into the tall grass. The absolute tension and thick air of the pre-dawn build-up to the attack with Nick Nolte and John Travolta is one of the greatest scenes of tension I have witnessed.
Personal narratives and agendas throughout the film flood the viewer with emotions and feelings that you wouldn't normally associate with a war film. The soundtrack here is also one of the film's strong points and effortlessly entwines itself into the path of the edits. Engrossing, beautiful and an absolute pleasure to immerse yourself into.
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