- Paperback: 152 pages
- Publisher: VDM Verlag Dr. Müller (22 May 2011)
- Language English
- ISBN-10: 3639356705
- ISBN-13: 978-3639356700
- Product Dimensions: 22.9 x 15.2 x 0.9 cm
- Amazon Bestsellers Rank: 193,547 in Books (See Top 100 in Books)
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Product Description
Product Description
Most historians of baroque architecture agree that it is 'theatrical' in some way, without describing in detail the festivals and performances that inspired its design. Yet festivals structured public life in most early 18th century European cities, and were a central aspect of what is commonly called the Baroque Unity of the Arts. As festivals became a permanent aspect of city life, the character and morphology of buildings changed too. Facades became explicitly stage-like, transforming civic spaces into theatres. The universal motifs of the niche and portico reveal that baroque buildings were primarily settings for performances. We still sense today the latent drama of these spaces. This book is an attempt to explain why festivals were an essential aspect of baroque culture, and why 'festive-time' remains crucial for the study and design of cities. This study proceeds from a hermeneutic investigation of the public character of art-experience understood in Hans-Georg Gadamer's terms as 'Play, Symbol and Festival', towards an interpretation of several gardens and civic spaces designed specifically for festive use, focusing ultimately upon the Zwinger and its use as a Festspielplatz.
About the Author
Studied at Liverpool University and Cambridge University and has taught at a number of schools of architecture including The Architectural Association, London Metropolitan University and University College Dublin. He is a director of Lynch architects, represented Ireland at the Venice Biennale in 2008, and won the Young Architect of the Year Award in 2005.
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