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One of Robin Hobb's strengths is her capacity to set up an interesting dialogue between metaphor and the literal; at both levels, The Golden Fool is a novel about moving through estrangement to reconciliation, about finding out the truth and then finding a way of living with it. This thoughtfulness means that, as always with Hobb, Fitz's role as tutor of a magically gifted prince, is as exciting as the book's occasional explosions of violence. --Roz Kaveney --This text refers to an out of print or unavailable edition of this title.
'Hobb is one of the great modern fantasy writers… what makes her novels as addictive as morphine is not just their imaginative brilliance but the way her characters are compromised and manipulated by politics.'
The Times
Assassin's Apprentice:
'A gleaming debut'
PUBLISHERS WEEKLY
Assassin's Quest:
'Assassin's Quest achieves a bittersweet, powerful complexity rare in fantasy' LOCUS
'Robin Hobb writes achingly well'
SFX
Praise for The Liveship Traders series:
'Even better than the Assassin books. I didn't think that was possible'
George R R Martin
'Hobb is a remarkable storyteller.'
Guardian
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Don't let other reviewers put you off reading this. Hobb's writing is wonderful and though not much happens in terms of battles and action, an amazing amount of plot is being set up and we see deeper than ever in to the characters that have made the Assassin series so riveting from the very first.
I for one am fascinated to see how the threads of these eight books (yes, the liveship traders are part of this too) are brought together in Fool's Fate.
FitzChivalry Farseer is once more the star, opening this volume as a very much-wounded man, having lost his bond mate, and forced to once more try to fit in to the court intrigues by playing the servant to Lord Golden as Tom Badgerlock. New problems almost at once descend upon him, from his adopted son Hap’s wayward ways to complications in his own love life, while the pressures of the Piebald group mount upon both Fitz and the kingdom, and Prince Dutiful’s training in the Skill becomes an imperative, regardless of Fitz’s own feelings of inadequacy in matters of the Skill. Add in problems with the Outisland delegation and Dutiful’s promised bride, and the Bingtown traders requesting help in their war against Chalced, and there are more than enough plot threads for several novels. But the focus of this book is not so much in unraveling all these threads, but rather in Fitz’s development as a person, along with all the people around him. Throughout this book, we see Fitz make errors in judgement, fail as a parent, as a spy, a lover, a teacher, as a friend. Each error leads to further growth of the man as he tries desperately to fix all his self-imposed problems while also working to aid the kingdom in what he sees as the best way possible. Lord Golden is exposed as having even more personas than previously known, each equally as enigmatic. Lord Chade comes into his own as a real human, with understandable desires and forgivable failings, and even Hap becomes a very recognizable young man with a very normal set of young man’s problems.
This is therefore a quiet book, without a great deal of surface action, but with a great deal of character development, and the setting in place of all the things and characters needed for a final denouement. As the characters make up so much of the charm of this entire set of interrelated stories, it is a fully satisfying book, even though it has no real ending, and with possibly even more questions raised than answered within its various disclosures of tie-ins between the various plot threads. The only real problem with this book, like almost every other middle book of a series, is the agonizing wait for the final volume.
--- Reviewed by Patrick Shepherd (hyperpat)
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