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The book does this by outlining some of the principles of Taoism, an ancient Asian philosophy of life, and then drawing parallels to the teachings of great photographers, like Minor White, Henri Cartier Bresson, and Ansel Adams. Taoist philosophy states that, to be a sage (and, by extension, a creative photographer), a person must harmonize Great Understanding and Little Understanding, that is, the open mind and the discriminatory or constricted mind. What the photographer must do is live in the moment and open his mind to the possibilities in the world. One should escape from the state of constricted awareness. Technique is seen as a possible barrier to better photography.
It has been said that the most important tool of a photographer is the mind. One's philosophical approach to the world may indeed affect the quality of the images that one captures. If, as I believe, this is so, a book that suggests an adjustment of that approach is worth consideration by the serious photographer.
This book convinced me that adopting a Taoist view of the world might improve the quality of the pictures I take. However, my complaint with the book is that having created a desire to explore Taoist doctrine, there were no guide posts as to how to incorporate those principles into my photography or my life. The book did suggest several exercises, most of them derived from Freeman Patterson's "Photography and the Art of Seeing", but I've tried them and they didn't lead to the major refocusing that the book suggests. In fact the book even quoted Alan Watts, a commentator on Asian philosophy, who says "there is no way ...to come into accord with the Tao...because...every method implies a goal. And we cannot make the Tao a goal."
So this book got my attention and created a need, and offered no help in satisfying it. Yet it did cause me to examine my own photographic philosophy. Any book that can get a serious photographer to reconsider his fundamental approach to life and its effect on his work is certainly worth reading.
The book itself is quite beautiful. The photographs, by a number of great camera artists as well as author Gross, are all in black and white, as if abstracting color would simplify the world and make it easier to come to grips with. The design is excellent and generous, with plenty of white space, perhaps designed to reflect the serenity of the Way.
The authors suggest a variety of exercises to improve one's ability to be in the present moment, fully receptive and aware. Obviously, this practice can create a profound shift in one's approach to life.
Therefore, photographers and non-photographers beware: if you follow the suggestions in this book, your life will greatly improve. I highly recommend reading The Tao of Photography, Seeing Beyond Seeing and giving it to everyone you care about. The world will be a better place.
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