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Product Description
Product Description
A much-needed alternative history of American comic book superheroines - from Wonder Woman to Supergirl and beyond - where they fit in popular culture and why, and what these crime-fighting females say about the role of women in American society from their creation to now, and into the future. The Supergirls is an entertaining and informative look at these modern-day icons, exploring how superheroines fare in American comics, and what it means for the culture when they do everything the superhero does, but in thongs and high heels. Has Wonder Woman hit the comic book glass ceiling? Is that the one opposition that even her Amazonian strength can't defeat? Mike Madrid, a San Francisco - based refugee from the world of advertising, is a lifelong fan of comic books and popular culture. His goal is to inform and entertain readers with a new look at modern-day icons. He's popular culture editor for Exterminating Angel Press and the creator of www.heaven4heroes.com, where comic book fantasies come to life.
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Customer Reviews
Most Helpful Customer Reviews
3 of 4 people found the following review helpful
Format:Paperback
This is a tale of unfolding public fantasy. It's the evolution of female heroes through the decades, which ties in with developments in fashion, film, politics and music. In exploring the comic books, Madrid touches off light-shows of memories and associations. It's fascinating and playful.
Format:Paperback
I bought this book as a gift for my partner so I cant comment much about the content, although it does look interesting. The delivery was sharp, on time and in good health - no battered edges, no burst packaging. Im sure she'll love the book!
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
15 reviews
14 of 14 people found the following review helpful
Interesting Survey of Women in the Superhero World
3 July 2010
Format:Paperback
The thesis for "The Supergirls" is obvious; Mike Madrid explores the depiction of women in the superhero world, and as one might expect, he concludes that more often than not, they have been mistreated. The text is presented in a very accessible fashion that does not pre-suppose much familiarity with the characters and stories he cites throughout, though I do feel he should have done a clearer job explaining a few major industry-wide events. For the most part, the book is structures chronologically, beginning with the late 1930s/early 1940s, and concluding in the 21st Century. Wisely, though, Madrid has constructed each chapter around a theme specific to each era. This means that each chapter is, essentially, its own thesis essay within the frame of the overall book.
I do wish Madrid had been more specific in naming the creators and editors of the stories he referenced. Most citations simply lay the blame for mishandled characters at the feet of their publisher, but more often than not he doesn't even identify which publisher was responsible for a character's woes. Maybe it's just a by-product of earning my degree in history, but I felt this was relevant information that the reader shouldn't have to supplement on his or her own. After all, it was individual men and women who made the choices about the content of the issues that hit the stands; Madrid suggests by omission of their names that some faceless order simply decreed how things would go.
Also conspicuously absent are any insights from anyone within the industry. A spattering of quotes taken from previously published interviews appear, but it seems that either Madrid was uninterested in, or more likely unable to, interview anyone for the purpose of this book. It may not seem to matter, but it gives this the feel of one of those "unauthorized biographies," where the subject is not actively represented to defend against any accusations against it.
Madrid bandies about spoilers for characters's fates throughout. You may never have read a single comic book featuring Ms. Marvel, and while Madrid may rouse your interest, he will likely quash it by the book's end, because there's a sense there's nothing for you to find in the material itself that he hasn't already told you. So, while this is written with the non-enthusiast in mind, it rather perversely lessens the need some readers will feel to explore the subject material for themselves.
Finally, it's worth mentioning that Madrid's scope is largely confined to a few characters from the DC Comics and Marvel Comics rosters; indie characters are largely ignored. And, strangely, Madrid discusses Batman as much as, or more than, any other character throughout. Batwoman, Catwoman, Batgirl and Wonder Woman are all evaluated vis a vis their relationships with the Caped Crusader. Which, really, is ironic given that Madrid argues throughout that women characters have been unfairly defined by the sensibilities of their male creators for their male readership.
I do wish Madrid had been more specific in naming the creators and editors of the stories he referenced. Most citations simply lay the blame for mishandled characters at the feet of their publisher, but more often than not he doesn't even identify which publisher was responsible for a character's woes. Maybe it's just a by-product of earning my degree in history, but I felt this was relevant information that the reader shouldn't have to supplement on his or her own. After all, it was individual men and women who made the choices about the content of the issues that hit the stands; Madrid suggests by omission of their names that some faceless order simply decreed how things would go.
Also conspicuously absent are any insights from anyone within the industry. A spattering of quotes taken from previously published interviews appear, but it seems that either Madrid was uninterested in, or more likely unable to, interview anyone for the purpose of this book. It may not seem to matter, but it gives this the feel of one of those "unauthorized biographies," where the subject is not actively represented to defend against any accusations against it.
Madrid bandies about spoilers for characters's fates throughout. You may never have read a single comic book featuring Ms. Marvel, and while Madrid may rouse your interest, he will likely quash it by the book's end, because there's a sense there's nothing for you to find in the material itself that he hasn't already told you. So, while this is written with the non-enthusiast in mind, it rather perversely lessens the need some readers will feel to explore the subject material for themselves.
Finally, it's worth mentioning that Madrid's scope is largely confined to a few characters from the DC Comics and Marvel Comics rosters; indie characters are largely ignored. And, strangely, Madrid discusses Batman as much as, or more than, any other character throughout. Batwoman, Catwoman, Batgirl and Wonder Woman are all evaluated vis a vis their relationships with the Caped Crusader. Which, really, is ironic given that Madrid argues throughout that women characters have been unfairly defined by the sensibilities of their male creators for their male readership.
4 of 4 people found the following review helpful
Any long-time comic book reader will relish this blend of scene re-creation and social analysis
17 Nov 2009
Format:Paperback
Any comics or graphic novel library needs THE SUPERGIRLS: FASHION, FEMINISM, FANTASY AND THE HISTORY OF COMIC BOOK HEROINES. It provides a cultural history of comic book heroines and asks whether their fantasy world has connections to our own, offering a fine survey of different super-women in comic history and crime fighting. Any long-time comic book reader will relish this blend of scene re-creation and social analysis.
6 of 7 people found the following review helpful
Teriffic Book BUT.....
1 Jun 2010
Format:Paperback|Amazon Verified Purchase
The author has done his homework and has a great feel for the comic books through the ages.
VERY disapointed to see no illustrations in the book. It's one thing to talk about Wonder Woman going from Bermuda Shorts to a thong. . . better to see it.
And would have been nice to see drawings of some of the more obscure characters in the book too to refresh my memory.
Highly recommended.
VERY disapointed to see no illustrations in the book. It's one thing to talk about Wonder Woman going from Bermuda Shorts to a thong. . . better to see it.
And would have been nice to see drawings of some of the more obscure characters in the book too to refresh my memory.
Highly recommended.
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