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Based on Jansson's own family experiences and love of nature, the stories are deceptively simplistic. The author manages to cram a huge amount of ideas, observations and description into a relatively short space without being sentimental or over-descriptive. The characters are excellent. The grandmother and Sophia are feisty individuals who enjoy questioning the world and their conversations can be at times, both hilarious and touching.
This edition has also been produced with real care. Esther Freud's foreword is probably one of the most fascinating that I have read in a long time(she visits the island and meets the 'grown-up' Sophia) and the inclusion of photographs of the island and Jansson's family only adds to the slightly sad beauty of the novel.
For me, it sums up what great literature should be. It's an easy and enjoyable book to read, but you leave with the impression of having touched on some huge ideas. I'm looking forward to reading it many times over in the future.
“The Summer Book” is episodic, detailing events from long summers spent on a remote Island off the coast of Finland, and concentrating on the rapport between the recently motherless six-year old Sophia and her Grandmother. Although short, the book covers a lot of ground – a clear and lucid observation of the natural history of the Island and the surrounding sea, reflections on aging and the end of life and, above all, a sharply drawn portrait of the relationship between young and old.
I didn’t feel the book was particularly well served either by the introduction or by the presentation but that shouldn’t put anyone off.
This excellent book tells its tale shorn of sentimentality and platitude. The prose style (I suppose that’s also a nod in the direction of the translation) is simple and elegant. It left me wanting to tone down my enthusiasm in case I put my friends and relatives off reading it.
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