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The Subject Steve [Paperback]

Sam Lipsyte
3.3 out of 5 stars  See all reviews (3 customer reviews)

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Product details

  • Paperback: 272 pages
  • Publisher: Flamingo (7 May 2002)
  • Language English
  • ISBN-10: 0007133650
  • ISBN-13: 978-0007133659
  • Product Dimensions: 23.1 x 15.2 x 2 cm
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 1,332,452 in Books (See Top 100 in Books)

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Sam Lipsyte
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Product Description

Amazon.co.uk Review

The Subject Steve, Sam Lipsyte's remarkable debut novel, is an ebullient, bawdy and idiosyncratic assault on American consumer culture. Like fellow mercurial satirists Don Delillo, Thomas Pynchon and David Foster Wallace, Lipsyte is an impressive stylist. His argot is the psychobabble of corporate jargon, advertising slogans and soundbites. Wordplay, rather than characterisation is Lipsyte's métier and his language positively fizzes with invention. The characters here don't so much converse as exchange obtuse epigrammatic non-sequiturs and indulge in linguistic quips. This should, of course, be utterly infuriating but it isn't. The dialogue, like the rest of this savage, absurdist take on contemporary life (and more precisely our horror of death), is startlingly acute and unrelentingly funny.

The eponymous Steve (who claims his name is not Steve) is a mild-mannered 37-year old ad man who pens slogans celebrating the "ongoing orgasm of the information lifestyle". Unfortunately he's dying but "he's dying of something nobody has ever died of before: he's actually going to die of boredom". The scientists (who may not be scientists although they do wear white coats) "calculate that there can be no calculations" about how long he has left to live. Faced with this eventuality he embarks on a particularly wayward sexual, narcotic and religious odyssey. Lipsyte fills Steve's journey with so many oddball doctors, multimedia weirdoes, dysfunctional gurus and bizarre sexual encounters it's actually rather difficult to imagine anyone dying of boredom. Exhaustion, perhaps.

Steve hires prostitutes, catches up with old friends, foes, his ex-wife, disaffected daughter and seeks a cure at Henrich of Newark's "Center for Nondenominational Recovery and Redemption". Henrich, a former government interrogator who now maintains discipline by forcing mothers to fellate their own sons, has an interesting line in cheese spreads, "decisive violence" and bestiality fables. His devotees include Bobby Trubate, a clapped-out actor with messianic delusions; Renee, a legless lesbian who takes a surprising interest in Steve's sexual organ and Parish, a psychopathic chief who puts kiwi fruits in the stew. They're odd but as everyone else keeps telling him he's "a goner" what choice does Steve have? Ludicrous and occasionally even a little bit sick, Lipsyte's surreal, intelligent black comedy proves that death really can be a laughing matter. --Travis Elborough

Review

‘Sam Lipsyte is a wickedly gifted writer.’ Robert Stone

"Sam Lipsyte is a gifted stylist, precise, original, devious, and very funny. In a time when the language of most novels is dead on arrival, this
book, about a dying man, is startlingly alive." Jeffrey Eugenides, author of The Virgin Suicides

"I laughed out loud – and I never laugh out loud. You'll want to rest up before reading this one. And after. Thank you, Sam." Chuck Palahniuk, author of Fight Club

‘Sam Lipsyte can get blood out of a stone… I gripped this book so hard my knuckles turned white.’ Edmund White

‘Lipsyte is certainly not without talent’ Norman Mailer

US praise for The Subject Steve:
‘A book about mortality is a risky prospect, but Lipsyte is very funny, and his stylistic high-wire act—a rowdy prose that is by turns shocking and lyrical—is equal to his daring premise.’ The New Yorker

‘Satire with a capital “S”, a DeLillo-like excavation of our consuming consumer culture, and the ultimate fear – the fear of death – that lurks beneath it… Lipsyte is the literary progeny of DeLillo, but also the younger brother of George Saunders or Chuck Palahniuk. Like these writers, Lipsyte displays an ambitious vision, a willingness to craft fiction that fearlessly provokes and probes. Lipsyte revels in language and wordplay, writing Beckett-influenced absurdist dialogue that regularly elicits laughs… Dark, lancing humour, first-rate satire and writing that dares to be bold and edgy.’ San Francisco Chronicle

‘A fusillade of language, a rapid-fire rant of slippery trickery that doesn’t let up until the last line. The end of one’s world pales in comparison to such wordplay.’ Entertainment Weekly

‘Brutally satirical … In a world more like that of this novel, every card-carrying member of Oprah’s book-club empire would be forced at gunpoint to read The Subject Steve straight through… Even more than in his drug-addled, linguistically wired collection of short stories, Venus Drive, Lipsyte’s headlong narrative methods produce stunning payoffs: disorienting dialogue, hilarious black humour, brilliantly riffed arias and parables spun out of thin air. But Lipsyte is more than a hip stylist of the bleak, and many passages beg to be quoted in full.’ Village Voice


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Customer Reviews

Most Helpful Customer Reviews
1 of 1 people found the following review helpful
By PB TOP 500 REVIEWER VINE™ VOICE
Format:Paperback|Amazon Verified Purchase
There is no doubt that The Subject Steve is a clever and apposite creation. It is totally absurdist, which is both its gift and its curse. The absurdity of the characters and story serve its comic impact, but they also leave you detached from the story.

The book deals with the modern fad for naming everything a `syndrome', even if there is no symptom and the subject is in fine fettle; it deals with ambition and venal desire for recognition, even for made-up work; it deals with the loneliness of modern life, nuclear families and lack of community; it deals with the soul-sapping mundaneness of modern work; it deals with the deep-seated desire for spiritual enlightenment and quick fixes; it deals with the gullibility of the public and the commercialization of science; it deals with exploitative "reality" TV and psychobabble. In short, it deals with important issues and does so with a comic touch, which is often far more powerful than a dull, worthy lecture. The writing style is pithy and articulate. The dialogue between characters is witty and there are truly funny passages in the book. All of this points to a winner of a novel. Sadly, I was never fully engaged with the book. Although it is a short read, it felt too long, as if the vehicle for these ideas just wasn't strong enough to see them through. The novel just fell a little short for me, although I have to admire the ambition and motivation behind the book.
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5 of 9 people found the following review helpful
What This Book Is Not 11 April 2003
Format:Paperback
I judged this book by its cover. I admit it. But that cover contains quotes from or comparisons to the following: Chuck Palahniuk, Toby Litt, Douglas Coupland, Dave Eggers and Six Feet Under. I love all of the above (especially Mr Palahniuk). How could this book NOT be for me? Easily, as it turns out.

Sam Lipsyte's style is trying so hard to be like Chuck Palahniuk's - short, sharp bursts of prose with enough gaps for you to read it in bite-size chunks. There are shocking moments rendered too funny to be truly shocking. But the difference is, that no matter how weird Chuck Palahniuk gets, there's a story at the heart of it, and a GOOD one. Here there is not, there's just a random series of events with ultimately no catalyst and no goal.

The dialogue is bad, and attempts at cleverness or jarring the reader only lead to frustration and feeling like you're a four year old having to read a line slowly whilst moving your lips. The book has its moments, the ideas are IN there, they're just too laboured.

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1 of 4 people found the following review helpful
By A Customer
Format:Paperback
I'm with the reviewer who calls out for a prose style with lots of space in between the bite-size chunks. Lipsyte's reaching here, reaching to break up his prose into edible orts and gobbets, and the attempt is a miserable failure. And, you know, the other reviewer is right in one additional respect: the book *IS* too funny. I laughed, a lot. That bugs me.
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