The Stranger's Child [Kindle Edition]

Hollinghurst often reminds me of E.M.Forster with his nostalgia for the early C20 and his focus on the minute details of people's thoughts, observations of one another and interrelationships, all presented in well-crafted prose (apart from the odd clunky phrase like "she said carryingly").

Charismatic, arrogant and manipulative, the aristocratic Cecil Valance achieves a possibly undeserved popularity as a poet after his early death in the First World War. Can the truth of his life ever be told by biographers? This seems unlikely since even those who claim to know him have very different perceptions. In five separate sections separated by gaps of several years or even decades, the author aims to show the false nature of memory.

You could argue that Hollinghurst is daring in discarding many of the "conventions" of novel-writing. The development of a strong plot is given second place to what often reads like a series of short stories: portrayals of characters who make only brief appearances, or the description of quite minor incidents, evocative of past generations, but very amusing, ludicrous or in the style of a black comedy. The author tends to build up anticipation of a certain outcome, only for it not to occur, insofar as one can judge! Significant events are frequently no more than implied.

Although this book promises much, my growing suspicion that it would not deliver proved justified. It suffers from being too long, repetitive in its limited revelations and self-indulgent, not least in its campness - I grew tired of "blushing" and "giggling" men of all ages.

It does not bother me that most of the characters are very middle class , but there are certainly too many of them to relate to easily, and I was left feeling I had waded through an Oxford don's overblown soap opera fantasy.

I know that "the stranger's child" is a quotation from Tennyson's "In Memoriam" read aloud by Cecil in Part 1, and thanks to Roderick Blythe for explaining to me in the comment below its meaning in the title.

Before I go into what I hope will be a fair critique of `The Strangers Child' I should really discuss the premise of it. The novel is really a tale of people of years and years, the novel itself is told in five sections each relating to a different decade. The two main characters, well I thought they were the main force of the story though others may disagree, Cecil Valance and Daphne Sawle meet, along with Daphne's brother George who is equally smitten with Cecil (this made me think of `Brideshead Revisited' though apparently that's not something you should say to Mr Hollinghurst, oops, but it does give the book a slight feel of `oh haven't I been here before?') and really we follow their lives from their first meeting and join them at various points in time as the book progresses.

As much as I am being vague to not give any spoilers away, I was also slightly at a loss as to why we meet these characters when we do, and why they tend to wander off. Yes, that's real life... well possibly real life if you are very rich and can spend life being unlikeable yet fabulous. These points in time, to me, didn't seem pivotal, and I couldn't get a hold on them. I didn't mind the fact they were all rather unlikeable but as the novel progressed I just kept thinking `where is this going, and do I care?' Some will say the rather random way in which the book is written is one of the cleverest points of the novel, really? I don't expect my books linear at all, yet I sometimes wonder if `clever' (which is the word I have seen in many reviews) is a good way of describing `we don't get it and so it must be the authors intention to be a little unconventional, it's the art of the book... how clever'. Hmmmm.

I can say the writing is utterly stunning, yet `stunning', `beautiful', `elegant', `effortless' (as the reviews keep on saying) prose can only go a certain way and I honestly feel in the middle of the book it became all about the prose and it simply didn't stop. The beautiful prose started to drag and the effect of it started to sag and I thought `I'm not going to finish this'. Yet I did and as the last third starts the book indeed picks up again. The random plot threads make a little more sense, then they don't and tantalise and then they sort of do.The characters stay being dislikeable yet readable and I liked the way it ended. Yes the way it ended, not the fact it ended.

This of course has left me very torn. There is no doubt that `The Strangers Child' contains some utterly gorgeous prose, no question of that at all. I just wish there had been a much tighter edit on the book as with about 200 pages taken out of it, or several thousand of those wonderfully worded words, this book would have become a possible favourite of mine, I do love an epic after all. Instead I became rather bored, if somewhat beautifully.

I started this book full of hope. I adored The Line of Beauty - and the first chapter of The Stranger's Child drew me in so completely I immediately put the book down as i didn't want to finish it too soon! The characters pre WW1 were so engaging and the elegance and wonderful descriptions were what I expected after LOB. I was glad to see such strong female characters here and i know that had been a criticism in the past - in fact they stood head and shoulders above all the men. Alan Hollinghurst is obsessed with class but that is okay as so are most of we, the subtle tell tale signs which give the imposters away are so well described - as are all the socially awkward situations as we expect. The only question I would have is does Mr H really think every man has had/would have a gay experience? or is it an aristocracy thing? This aspect made it seem unlikely as I cant recall one male in the book where at least a liaison was suggested. However I was dying to see how the secret which had been believed destroyed for so long would emerge - but it didn't emerge and the end of the book was the biggest let down ever - I felt like it just trailed off. I actually started thinking I must have skipped a chapter but no - perhaps it leaves it open for a sequel but I wont be buying in hard back next time. Whilst I am still thinking about the characters in the earlier chapters, the later ones were less charming. I still love the wonderful writing - but after such a wait for this - I was a little annoyed by the last page - I was robbed!