Barbara Tuckman wrote a classic account of the European pre-World War I period, entitled
The Proud Tower: A Portrait of the World before the War, 1890-1914. George Dangerfield's account examines a smaller portion of that period, limited to one country, England. It was written in the `30's, and was a classic assignment of "AP history" classes in the `60's. Both books help dispel the understandably, after WW I, nostalgic myth, that the pre-war period was some sort of Golden Era. It wasn't, but obviously looked fairly enticing to someone being gassed in the trenches.
There are three principal historical forces that Dangerfield highlights: the Suffragette movement; the Tory Rebellion in Ulster (ah, the "Irish troubles"); and the Labo(u)r movement. The book commences with the death of Edward VII, and the ascension of George V to the throne, in 1910. It is now just over a hundred years ago, and the political "movers and shakers" of the times, with names like Baldwin, Asquith, Lloyd George, et al., are unfamiliar to many Americans. But before "liberal" became the "l-word," Dangerfield's description of a liberal resonate today: "He believed in freedom, free trade, progress and the Seventh Commandment. He also believed in reform. He was strongly in favor of peace--that is to say, he likes his wars to be fought at a distance and, if possible, in the name of God."
Concerning the "Irish troubles," which would reach culmination in the Easter uprising in Dublin, in 1916, Prime Minister Asquith had promised the Irish "Home Rule" in exchange for their parliamentary support on certain measures. This precipitated the rebellion in Ulster. Dangerfield examines the underlying forces, but does focus on the actions of the main political players. Frankly, at some point, my eyes begin to glaze over in reading the machinations involved in the Irish "wars of religion." Not so, the "women's rebellion." Certainly Dangerfield's prose and perspective helps. Consider: "When a husband is a woman's career, the woman without a husband is as good as dead. She must color her drab existence with good works, gossip, hypochondria, and religion, until, at last--unused and unwept--she dies. Such are the results of living in a world of men." DeBeauvoir could not have said it better in
The Second Sex (Vintage classics). In another section, Dangerfield debunks the idea of economic determinism, saying that it does not account for the motivation of the human soul.
Dangerfield devotes almost a 100 pages to the pre-WWI labor strife. There was a "Grand Alliance" of workers from the miners, transport workers and the railroad workers who could effectively shut the country down through collective action. The first Minimum Wage Law was passed in this manner. Many of the strands of the continual conflict, and jockeying for position between "Capital" and "Labor" were played out, with some unique distorting factors: mainly the tremendous amount of gold coming from South Africa, which dwarfed total existing stocks in Europe, the Americas, and the Colonies.
Dangerfield is wonderfully erudite, rendering much of the entire pre-war cultural life. His judgments can be quite acerbic; consider his description of the origins of the members of the august House of Lords: "That most peerages sprung from the curious powers of survival in some obscure medieval family, or from a dishonest bargain struck in the eighteenth century, or from a talent for guessing right on the stock exchange, or from a genius for keeping business projects on the windy side of the law..." Or, in summing up the outlook of a republican sheet, "The Liberator": "...which posterity is likely to cherish except its quaint belief that monarchs and not millionaires were the symbols of twentieth century tyranny..."
The author summarizes the state of the three major political movements at the beginning of 1914. There direction, and quarrels would suddenly be overwhelmed by events in far off Sarajevo. Towards the very end, he repeats the famous quote of Sir Edward Grey, made at dusk, on August 4: "The lamps are going out all over Europe; we shall not see them lit again in our lifetime." Dangerfield ends his narrative, as he commences it, with the quintessential WWI war poet, Rupert Brooke, whom the author had not heard of, at the age of 12, in 1918. It was Brooke who would not live to see the lamps lit again, dying not in combat, but of mosquito-borne illness, in 1915, before the assault on the beach at Gallipoli.
Dangerfield won the Pulitzer Prize in History, in 1953, much deservedly, for this work. Gas street lights are no longer lit, and there have been some other changes as well, but many of themes continue to play themselves out, over and over again. A solid 5-star read.
Attn: With the outrageous price currently being asked by the recent publisher, no doubt to "stiff" the students required to read this book, one is much better off buying a copy of the original publication in the secondary market.
(Note: Review first published at Amazon, USA, on January 31, 2011)