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Cao Xueqin (?1715-63) was born into a family which for three generations held the office of Commissioner of Imperial Textiles in Nanking, a family so wealthy they were able to entertain the Emperor four times. However, calamity overtook them and their property was consfiscated. Cao Xueqin was living in poverty when he wrote his famous novel The Story of the Stone.
David Hawkes was Professor of Chinese at Oxford University from 1959 - 1971 and a Research Fellow of All Souls College from 1973-1983. He now lives in retirement in Wales.
The story itself is a fascinating picture of life in 18th century China, and portrays the development of a young boy who has otherworldly origins. The western reader needs to view dispassionately the Buddhist theme which pervades the novel, but when read with an open mind, the philosophy underlying the novel is both charming and practical (in its own way).
I found the book addictive, though it has to be said that others of my acquaintance found it too difficult to cope with, and abandoned the story before the end of the first volume. If you persevere, it forms a wonderful introduction to classical Chinese literature, and those similarly addicted will find it leads into many other books of Chinese prose and poetry.
For me the novel is from a different culture and for all readers it is from a different century. These things makes it less than an easy read at first, but make it all the more rewarding and very, very much worth sticking with to the end.
Xueqin peoples his text with gripping characters: the fabulously harsh domestic manager Xi-feng, clever maid Patience, refined but out of touch Lady Wang, craven Huan, hot-tempered Jia Zhang and the perennially dissatisfied concubines. The altercations between Bao-yu’s shrewd maids are fun.
I stayed up all night to finish Volume 3 and then couldn't put down Volume 4 during the following day. Although such an approach was perhaps a little addictive, I feel that it is worth reading the book as quickly as possible. The longer you wait between volumes, the more the relationships between characters - and the significance of such relationships - slip from your mind.
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