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The Stones of London: A History in Twelve Buildings
 
 

The Stones of London: A History in Twelve Buildings [Kindle Edition]

Leo Hollis
3.8 out of 5 stars  See all reviews (4 customer reviews)

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Review

Hollis's absorbing ability to conjure and flesh each period he explores...Stories within stories tumble out like Russian dolls. By the end one has met many interesting characters and almost inadvertently absorbed vast amounts about the creation, buildings and streets of London. A beguiling device; a stalking horse of Palladian proportions. (SUNDAY TELEGRAPH )

Nothing but geography connects Wembly Stadium and Westminster Abbey; or the Georgian elegance of Home House in Portman Square and a postwar block of flats such as Keeling House... But Hollis holds these disparate elements together with skill, constructing with the stones of London a story that is much greater than the sum of its parts. He switches perspectives effortlessly, moving from local to national to international and back again in the space of a few paragraphs. (LITERARY REVIEW )

Leo Hollis has found a clever way of framing the story of our city, and in his examination of the architectural fabric of London fascinating detail springs from every page. 'The Stones of London' presents micro-histories of 12 constructions that defined periods of urban change...Hollis uses the social context of each structure's conception funding design, construction and changing function to illustrate how buildings have defined London and therefore England, Britain and the empire. (TIME OUT )

Finding new ways to tell the story of 2,000 years of London is not easy, but Hollis has found an elegant solution by focusing on 12 buildings that exemplify 12 periods in the development of the city...Hollis has chosen his building well: their stories present an original perspective on London's complex history. (Nick Rennison THE SUNDAY TIMES )

an enjoyable read and a fresh perspective for those seeking to know more about the evolution of London. (CURRENT ARCHAEOLOGY )

Hollis has a fine eye for architecture, and engagingly describes neo-classical marvels as well as the Labour government's dockside folly of the Millennium Dome... Hollis is good company (THE SPECTATOR )

In this entertaining social and architectural story of London from Roman times to the present day, the 'stones' include not only bricks, steel, glass and wood, but other necessary elements that gave the city its changing shape and character: money, needs and power. (RA (The Royal Academy Magazine) )

this is an enthusiastic work, by an author who plainly relishes the delights of quarrying London's past in search of treasure. It raises many stimulating thoughts (BBC HISTORY MAGAZINE )

Hollis is excellent on history...this is an imaginative book that finds a convincing new way to tell the story of one of the most written-about cities in the world. (THE INDEPENDENT )

Hollis's ten buildings and two places are ideally suited for the exploration of the themes of London history... They are arranged chronologically but are made to engage thematically with a wide range of metropolitan concerns... All twelve illustrate one of the great truths of the history of London, that nothing stays the same. (TLS )

Book Description

The story of London, told through 12 of its most seminal buildings.

Product details

  • Format: Kindle Edition
  • File Size: 2603 KB
  • Print Length: 484 pages
  • Page Numbers Source ISBN: 0297850822
  • Publisher: Weidenfeld & Nicolson (7 April 2011)
  • Sold by: Amazon Media EU S.à r.l.
  • Language English
  • ASIN: B004WJRU1W
  • Text-to-Speech: Enabled
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Bestsellers Rank: #171,641 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Leo Hollis
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Customer Reviews

Most Helpful Customer Reviews
Not quite Ruskin. 7 Mar 2012
By KAW
Format:Hardcover
This book began as a pleasure to read. The language and description was beautiful. I found the early chapters informative and relevant because the buildings or their legacy were still there. I thought that after chapter five it became less interesting, but still enjoyable.
I found the last chapters more questionable. Leo Hollis says the rebuilt Wembley Stadium "retained Owen Williams's original twin towers". I remember all the controversy when the towers were demolished in 2003, I believe that part of one was saved and used as a memorial in a local park. This seems an extraordinary oversight for the author to have made.
The author appears to be a great fan of Sir Denys Lasdun, but the chapter on him did not sell him to me and I think fell short on the arguments for and against tower blocks.
Finally the book was very short of good illustrations.
By calling the book The Stones of London, the author encourages comparison to Ruskin's famous tome on Venice, I think its got some way to go before it could stand up in that illustrious company.
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By Doc Barbara TOP 1000 REVIEWER
Format:Hardcover
I was given this book for Christmas and, although I lived in London for many years, it opened my mind to its history and architecture so much so that I found myself re-visiting Westminster Abbey along with other tourists. The twelve buildings are: Westminster Abbey, The Royal Exchange, Greenwich, 19 Princelet Street, Home House, Regent Street, The Houses of Parliament, Victoria Embankment, Wembley Stadium, Keeling House and 30 St Mary Axe (better known as The Gherkin!) He tells the story of each and therefore gives a history in each chapter of some angle of London's past which means that the account is not chronological through the book. However, it takes you in a zig-zag route from Roman times to the contemporary. His approach is rich and positive, arguing that London must develop and adapt and yet, at the same time, he savours its past and heritage. There could be more illustrations and better photographs but it has made me want to go myself to look again at all the places he describes.
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0 of 1 people found the following review helpful
Not recommended 4 Mar 2012
Format:Hardcover
Well, unlike the reviewer above, I have read this book!
There is a place for inaccurate assertions in fiction, and indeed in crusading journalism, but this is advertised and sold as didactic history, and as such, the reader needs to trust and believe in the author.
We all know the experience of reading a story in the tabloids where, just for once, we actually know some of the facts. And what do we find? They've got it all muddled. But that's the tabloids, not a £25 history book.
Hollis is strongest at the start - the chapters on early London and Westminster Abbey are enthralling - but that is because one trusts him.
Then suddenly: first he claims that the sudden 1834 choice of Gothic for rebuilding the Houses of Parliament is a reaction to the French Revolution (all of 40 years before) and Classical Architecture being associated with ancien regime France, so that Smirke's original Classical design was ar risk of being set on by the London mob.
Hello? The Gothic revival was alive and well on the Welsh border in Gloucestershire (Clearwell Castle) in 1736 a whole century earlier, and had been a choice even in London with Pomfret Castle in Arlington Street W1 (1757)and then the world-famous Strawberry Hill, Twickenham. So evident nonsense.
And then he later claims that 'Wrenaissance architecture' was an Edwardian 1901-10 development after the austerity of Victoriana. Yet here again Wales scores - with Kinmel Park (1868)and regular country-wide contributions thereafter.
It's odd, because he's clearly done so much research in some areas, and yet so little in others.
I'm not sure why I read on after that, but I'm glad I did, because although his Wembley chapter is pretty incoherent, and his chapter on Lasdun reads like a potted doctorate, his final chapter (the Gherkin) is rather interesting, especially his analysis (p364) of London developing over the centuries from a duality torn between Crown and People, to a revived body by Wren, which then sickens before Bazalgette reworked the drains (much the best chapter) and thereafter mutating from an engineer's city into the technocrat's as it is now.
One final complaint - the publishers have been astonishingly mean with illustrations. For a 450 page book on architecture to have just 8 pages of photos is perverse.
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