Carol Reed's gritty, unrelenting adaptation of A.J. Cronin's novel of the same name is a stark depiction of poverty, hardship, greed and frustrated ambition which has an enduring resonance belying the fact that it was made over sixty years ago.
Michael Redgrave plays Davey Fenwick, an intelligent young man from a poor mining community in the North East of England, who wins a scholarship to study at university in nearby Tynecastle. He dreams of entering politics after graduation and working to end the suffering of the mineworkers and their families, eternal victims of a rampant, compassionless capitalism.
However, his life takes a different turn when he meets and falls in love with Jenny Sunley (played by Margaret Lockwood), a divinely pretty but self-centred, materialistic and manipulative little minx who has just been dumped by her boyfriend, Davey's lifelong friend, the ruthlessly ambitious Joe Gowlan (Emlyn Williams). Davey leaves college, marries Jenny and moves back home to work as a schoolmaster. But things get complicated when trouble at the pit, Jenny's growing restlessness and Joe's reappearance combine to turn Davey's life upside down.
When it was made, this was one of the most expensive films ever produced in Britain and it was money well spent. It cemented Carol Reed's reputation as a first rate director and presented a grimly authentic portrayal of inter-war working class life both to film audiences of the time and to posterity. It also gave its all-star cast a chance to broaden their range in impressive and expressive fashion; Redgrave is superbly believable as the embattled idealist coping stoically with life's vicissitudes, Emlyn Williams is thoroughly nasty as the sharp, callous Joe while Margaret Lockwood, former screen ingenue in her first "bad girl" role, gives one of her best performances as the beautiful, faithless, scheming Jenny.
In sum, this film works brilliantly well as social commentary but, more than that, it is a dark and timeless portrayal of human relationships - of love, life, hope and betrayal. Definitely one to see, both as a lesson in filmmaking and a lesson in life itself. Excellent!