With "Sings the Blues", Harrison lost the Rat-plot, but "Goes to Hell" shows that he is, albeit unevenly, getting back on track. His bludgeoning bias that all religious belief is mere wishful thinking gets tedious, not to mention somewhat mysoginistic (the dupes are all wealthy women - read vain and gullible), besides theologically inaccurate to boot, but just as it gets dangerously annoying the plot reinvigorates and, with tongue firmly back in cheek, the Rat continues on his mission to save his psychopathic spouse in the manner we know and love. Let's hope his renewed form continues in The Stainless Steel Rat Joins the Circus.