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Praise for Glauser's other Sergeant Studer novels:"Glauser was among the best European crime writers of the inter-war years. The detail, place and sinister characters are so intelligently sculpted that the sense of foreboding is palpable." Glasgow Herald"Fever is a deviously plotted procedural. Not many can outdo Friedrich Glauser..." New York Times"Thumbprint is a fine example of the craft of detective writing in a period which fans will regard as the golden age of crime fiction." Sunday Telegraph"A despairing plot about the reality of madness and life, leavened at regular intervals with strong doses of bittersweet irony. The idiosyncratic investigation of In Matto's Realm and its laconic detective have not aged one iota." Guardian
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Why must the festive dinner in the Hirschen Inn be interrupted? A murder puts an end to the preparations for the wedding of Studer's daughter. A man is found with a sharpened bicycle spoke embedded in his back and a suspect is quickly arrested. Property speculation, usury and betrayed love find their way into this tightly written novel, the last outing for Bernese investigator Sergeant Studer.
The fifth in the much-acclaimed series that calls on Studer's intuitive, often absurd yet efficient police methods.
The fifth in the much-acclaimed series that calls on Studer's intuitive, often absurd yet efficient police methods.
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Most Helpful Customer Reviews
0 of 1 people found the following review helpful
Format:Paperback
Originally published in 1937, this fifth and final "Sergeant Studer" novel (following Thumbprint, Fever, In Matto's Realm and The Chinaman),finds the grumpy Swiss ex-detective in Schwarzenstein, presiding over the wedding of his daughter to a nice but somewhat cautious junior policeman. Alas, as is so often the case in mysteries from the "classic" era, a murder takes place on the grounds of Studer's hotel (which happens to be owned by his long-ago sweetheart) just as he happens to be there. This compels him to send the wife and newly-married daughter home while he and the new son-in-law poke their noses into the matter. The initial clues point to an obvious suspect, but the wily Studer can't be fooled by flimsy circumstantial evidence, and starts investigating.
Over the course of the next few days, several other guests arrive at the hotel, and another corpse is produced. Like the others in the Studer series, it's all rather old-fashioned, complete with concealed doors, skulking around at night and a grand finale gathering all the players into a room to unmask the true criminal. And as in the other books, the ins and outs of the case get rather complicated, not to mention tangled up in historical events unlikely to be familiar to most readers. Finally, as in the other books, much is made of the use of formal vs. informal German vs. dialect in various encounters, but these shifts have to be directly explained in the text, which is pretty clunky.
On the whole, the story isn't particularly engaging, and is of limited appeal. Those who've read the other Studer novels, or have some particular interest in Swiss crime novels, or in "golden age" crime novels in general may find it engaging, but others probably not.
Over the course of the next few days, several other guests arrive at the hotel, and another corpse is produced. Like the others in the Studer series, it's all rather old-fashioned, complete with concealed doors, skulking around at night and a grand finale gathering all the players into a room to unmask the true criminal. And as in the other books, the ins and outs of the case get rather complicated, not to mention tangled up in historical events unlikely to be familiar to most readers. Finally, as in the other books, much is made of the use of formal vs. informal German vs. dialect in various encounters, but these shifts have to be directly explained in the text, which is pretty clunky.
On the whole, the story isn't particularly engaging, and is of limited appeal. Those who've read the other Studer novels, or have some particular interest in Swiss crime novels, or in "golden age" crime novels in general may find it engaging, but others probably not.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
2 reviews
Clunky & Convoluted "Golden Age" Swiss Mystery Fails to Compel
5 Feb 2009
Format:Paperback
Originally published in 1937, this fifth and final "Sergeant Studer" novel (following Thumbprint, Fever, In Matto's Realm and The Chinaman),finds the grumpy Swiss ex-detective in Schwarzenstein, presiding over the wedding of his daughter to a nice but somewhat cautious junior policeman. Alas, as is so often the case in mysteries from the "classic" era, a murder takes place on the grounds of Studer's hotel (which happens to be owned by his long-ago sweetheart) just as he happens to be there. This compels him to send the wife and newly-married daughter home while he and the new son-in-law poke their noses into the matter. The initial clues point to an obvious suspect, but the wily Studer can't be fooled by flimsy circumstantial evidence, and starts investigating.
Over the course of the next few days, several other guests arrive at the hotel, and another corpse is produced. Like the others in the Studer series, it's all rather old-fashioned, complete with concealed doors, skulking around at night and a grand finale gathering all the players into a room to unmask the true criminal. And as in the other books, the ins and outs of the case get rather complicated, not to mention tangled up in historical events unlikely to be familiar to most readers. Finally, as in the other books, much is made of the use of formal vs. informal German vs. dialect in various encounters, but these shifts have to be directly explained in the text, which is pretty clunky.
On the whole, the story isn't particularly engaging, and is of limited appeal. Those who've read the other Studer novels, or have some particular interest in Swiss crime novels, or in "golden age" crime novels in general may find it engaging, but others probably not.
Over the course of the next few days, several other guests arrive at the hotel, and another corpse is produced. Like the others in the Studer series, it's all rather old-fashioned, complete with concealed doors, skulking around at night and a grand finale gathering all the players into a room to unmask the true criminal. And as in the other books, the ins and outs of the case get rather complicated, not to mention tangled up in historical events unlikely to be familiar to most readers. Finally, as in the other books, much is made of the use of formal vs. informal German vs. dialect in various encounters, but these shifts have to be directly explained in the text, which is pretty clunky.
On the whole, the story isn't particularly engaging, and is of limited appeal. Those who've read the other Studer novels, or have some particular interest in Swiss crime novels, or in "golden age" crime novels in general may find it engaging, but others probably not.
excellent Studer Swiss police procedural
14 Jan 2009
Format:Paperback
In Bern Swiss police Detective Sergeant Jakob Studer and his wife have traveled to Schwarzenstein to attend the marriage of their daughter. However, in the Hôtel zum Hirschen where they are staying someone stabs to death Jean Stieger using a sharpened bicycle spoke.
The local police arrest the only suspect, bicycle store mechanic and peddler Ernst Graf. However, Studer believes the murder weapon is not enough to prove Graf did the deed. Soon afterward while Graf remains in custody, someone poisons Stieger's boss and partner , financier Joachim Krock. Studer investigates the two homicides, applying a logic that confuses the local cops, but leads to several suspects with motives for both murders.
The latest reprint of the 1930s Studer Swiss police procedural series is, like the previous four, a fabulous investigative tale. Studer is at his best working what appears to be a closed locked room case in which his progress in finding other suspects besides Graf with means, motive and opportunity alienates him with the locals and frustrates his wife on vacation and daughter preparing to marry. The Jakob Studer collection holds up as strong mysteries with an obvious historical perspectvie seven decades after they were initially released (see IN MATTO'S REALM, FEVER THUMBPRINT and THE CHINAMAN).
Harriet Klausner
The local police arrest the only suspect, bicycle store mechanic and peddler Ernst Graf. However, Studer believes the murder weapon is not enough to prove Graf did the deed. Soon afterward while Graf remains in custody, someone poisons Stieger's boss and partner , financier Joachim Krock. Studer investigates the two homicides, applying a logic that confuses the local cops, but leads to several suspects with motives for both murders.
The latest reprint of the 1930s Studer Swiss police procedural series is, like the previous four, a fabulous investigative tale. Studer is at his best working what appears to be a closed locked room case in which his progress in finding other suspects besides Graf with means, motive and opportunity alienates him with the locals and frustrates his wife on vacation and daughter preparing to marry. The Jakob Studer collection holds up as strong mysteries with an obvious historical perspectvie seven decades after they were initially released (see IN MATTO'S REALM, FEVER THUMBPRINT and THE CHINAMAN).
Harriet Klausner
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