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Product Description
Product Description
Dean Jocelin has a vision: that God has chosen him to erect a great spire on his cathedral. His mason anxiously advises against it, for the old cathedral was built without foundations. Nevertheless, the spire rises octagon upon octagon, pinnacle by pinnacle, until the stone pillars shriek and the ground beneath it swims. Its shadow falls ever darker on the world below, and on Dean Jocelin in particular.
About the Author
William Golding was born in Cornwall in 1911 and was educated at Marlborough Grammar School and at Brasenose College, Oxford. Before he became a schoolmaster he was an actor, a lecturer, a small-boat sailor and a musician. A now rare volume, Poems, appeared in 1934. In 1940 he joined the Royal Navy and saw action against battleships, and also took part in the pursuit of the Bismarck. He finished the war as a Lieutenant in command of a rocket ship, which was off the French coast for the D-Day invasion, and later at the island of Welcheren. After the war he returned to Bishop Wordsworth's School in Salisbury and was there when his first novel, Lord of the Flies, was published in 1954. He gave up teaching in 1961. Lord of the Flies was filmed by Peter Brook in 1963. Golding listed his hobbies as music, chess, sailing, archaeology and classical Greek (which he taught himself). Many of these subjects appear in his essay collections The Hot Gates and A Moving Target. He won the Booker Prize for his novel Rites of Passage in 1980, and was awarded the Nobel Prize for Literature in 1983. He was knighted in 1988. He died at his home in the summer of 1993. The Double Tongue, a novel left in draft at his death, was published in June 1995.
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First Sentence
He was laughing, chin up, and shaking his head. Read the first page
Front Cover | Copyright | Excerpt | Back Cover
He was laughing, chin up, and shaking his head. Read the first page
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Customer Reviews
Most Helpful Customer Reviews
14 of 16 people found the following review helpful
Format:Paperback
This book has, in my opinion, a surreal quality. I can't speak about it in the artistic terms used by some of your other reviewers. I didn't consider what it had to say about man's condition. I only know it was fascinating to read, a story which you felt was written in pictures, and I don't mean that it is a graphic novel! (if you like graphic novels you probably will NOT like William Golding).
The dean, Jocelin, is a man with such religious faith that he ignores sense and the warnings of his master builder and others. He goes ahead and adds a spire to a cathedral whch had never been built to support a spire. The result throughout the book is not a dry, technical account of the construction process, although there are plenty of references to real-life engineering to keep you happy if you are interested. It is not about religion, either. Mainly this book is about obsession and blind faith and above all, about people. The tension builds throughout as you will Jocelin on to further indiscretion for the sake of the drama.Your nerves tighten like the overloaded "screaming stones". It doesn't spell out every action in a he-did-this-and-then-she-did-that fashion. Golding does't write in that way. But if you like to have your brain stirred up a bit, to have to think a bit when you read, then this is for you.
I don't think that you have to read Golding's other books to appreciate this one, as someone suggested. You either love Golding or you don't get along with him. My wife can't read most of his books. I believe that The Spire may be his best book.
Actually, I've read it several times. I don't mind admitting that I am still not sure if the spire collapses or not. It just doesn't matter. Perhaps Mr Golding was having a laugh at our expense. He knew that we would waffle amongst ourselves about the underlying meaning of it all, when there is just a good story. Whether the spire stays or falls is not the point. You could do worse than read it and try to work it out for yourself.
The dean, Jocelin, is a man with such religious faith that he ignores sense and the warnings of his master builder and others. He goes ahead and adds a spire to a cathedral whch had never been built to support a spire. The result throughout the book is not a dry, technical account of the construction process, although there are plenty of references to real-life engineering to keep you happy if you are interested. It is not about religion, either. Mainly this book is about obsession and blind faith and above all, about people. The tension builds throughout as you will Jocelin on to further indiscretion for the sake of the drama.Your nerves tighten like the overloaded "screaming stones". It doesn't spell out every action in a he-did-this-and-then-she-did-that fashion. Golding does't write in that way. But if you like to have your brain stirred up a bit, to have to think a bit when you read, then this is for you.
I don't think that you have to read Golding's other books to appreciate this one, as someone suggested. You either love Golding or you don't get along with him. My wife can't read most of his books. I believe that The Spire may be his best book.
Actually, I've read it several times. I don't mind admitting that I am still not sure if the spire collapses or not. It just doesn't matter. Perhaps Mr Golding was having a laugh at our expense. He knew that we would waffle amongst ourselves about the underlying meaning of it all, when there is just a good story. Whether the spire stays or falls is not the point. You could do worse than read it and try to work it out for yourself.
25 of 31 people found the following review helpful
Format:Paperback
Golding achieves something masterful with The Spire. That a book of such incredible complexity can be made so simple is testament to his skill.
It tells the tale of Jocelin, a Mediaeval priest who believes God has asked him to add a spire to the cathedral of which he is dean. This is the only plot line, but as the narrative progresses we see how such a simple beginnings can have such terrible and far-reaching consequences. Golding uses narrative techniques in an incredibly unique way, creating drama and tension, and promoting in the reader a whole range of emotional responses. Please read this book.
It tells the tale of Jocelin, a Mediaeval priest who believes God has asked him to add a spire to the cathedral of which he is dean. This is the only plot line, but as the narrative progresses we see how such a simple beginnings can have such terrible and far-reaching consequences. Golding uses narrative techniques in an incredibly unique way, creating drama and tension, and promoting in the reader a whole range of emotional responses. Please read this book.
4 of 5 people found the following review helpful
Format:Paperback
From the very first sentence of William Golding's `The Spire' you know you are in the presence of a master. Golding takes the classic story of a man bent on fulfilling an impossible dream - in this case, the dream of Dean Jocelin to crown his cathedral, a cathedral built with no foundation, with a vast spire - and turns it into both a thrilling tale of a project as doomed as the Towering Inferno or the Titanic and a deep exploration of the nature of good and evil and the power of man to delude himself.
Every character is strong, every sentence powerful. With every moment seen from within Jocelin's own mind, a mind which his great endeavour has imperilled just as it has imperilled the cathedral itself, every moment is given vivid colour and meaning.
Perhaps the most remarkable achievement of what is a remarkable novel is the way in which the cathedral and spire wear their role as metaphor so elegantly. While their state echoes and informs both the state of Jocelin's mind and the state of the society around him, at no time does the reader resent them for it or feel moved to accuse them of obviousness. This ability to fuse meaning and location so absolutely is perhaps Golding's greatest gift, one he demonstrates again and again in novels from `The Lord of the Flies' to `Fire Down Below'.
An important and vivid novel, `The Spire' is a must read.
Every character is strong, every sentence powerful. With every moment seen from within Jocelin's own mind, a mind which his great endeavour has imperilled just as it has imperilled the cathedral itself, every moment is given vivid colour and meaning.
Perhaps the most remarkable achievement of what is a remarkable novel is the way in which the cathedral and spire wear their role as metaphor so elegantly. While their state echoes and informs both the state of Jocelin's mind and the state of the society around him, at no time does the reader resent them for it or feel moved to accuse them of obviousness. This ability to fuse meaning and location so absolutely is perhaps Golding's greatest gift, one he demonstrates again and again in novels from `The Lord of the Flies' to `Fire Down Below'.
An important and vivid novel, `The Spire' is a must read.
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Most Recent Customer Reviews
Another Golding Masterpiece
I didn't entirely understand this book, as it was written through the eyes of an incoherent madman, yet I shall excuse the incomprehensibleness due to the fact that this is... Read more
Published 1 month ago by Nim
The Spire rises ...
This was the fifth of William Golding's novels: "Lord of the Flies" (1954),"The Inheritors" (1955),"Pincher Martin" (1956), "Free Fall" (1959) and "The Spire" (1964) by which time... Read more
Published 6 months ago by RR Waller
Superb
The past really is a foreign country here. The reader feels alien in the medieval world, just as it should be. Very thoroughly imagined tale of hubris.
Published 22 months ago by Tricky fan
Crazed and paranoid.
I absolutely loved this book. I read Pincher martin which while not so great was stylistically interesting; the spire is wonderful! Read more
Published on 9 April 2009 by Mr. Omnibus Biscuit
I'll get there in the end
I bought this book for my summer holiday last year, and might even have to take it on this year's holiday, if I have one, because I no where near finished it. Read more
Published on 26 Aug 2007 by Lou Knee
Time to enter a different world.
I have taught this novel many times at 'A' level and this is the first time I have found a study guide that is really accessible to students. Read more
Published on 26 Dec 2006 by Reader under a wild olive tree
A deep but enjoyable novel from a fantastic author
I must first point out by saying that I am currently studying this text as part of my A-level in English literature, therefore I have read into this text in a much greater level of... Read more
Published on 7 April 2006 by Philip Murray
200 odd pages of confused dirge
The other reviews on here make about as much sense as the book itself. On the surface, its a really good idea for a novel - medieval priest with glorified visions for his... Read more
Published on 14 Dec 2005 by Mr. D. A. Cure
Masterful resolution of fundamental paradoxes
William Golding's achievement in this book is stunning: the resolution (or acceptance) of two paradoxical problems which have been at the heart of literature for millenia. Read more
Published on 31 May 2003 by Christopher Kassam
Golding at his near best.
The Spire is another classic from William Golding, loosely in the "Lord of the Flies" mould. Read more
Published on 14 Mar 2001
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