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Gillett weaves the various forms together -- vocal group, jump blues, southern pop gospel, urban big band blues, rockabilly -- and constructs a means to understand it as a musical movement.
An important strength is the emphasis on location and record label, something few younger critics understand today. We called it all rock 'n' roll then, although as Gillett relates, it all turned into blues for teenagers.
The Sound of the City remains the best overall description of the music of the 1946-1964 era.
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