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Based on the second of Roddy Doyle's "Barrytown" trilogy, which includes THE COMMITMENTS and THE VAN, THE SNAPPER is a warmly comic and moving look at working class Irish life – full of vibrant and eccentric characters, heartaches and laughs.
Sharon Curley is 20, works in a Dublin supermarket, lives at home and is pregnant. If that isn't bad enough, she adamantly refuses to name the father. In turn shocked, concerned, defensive, embarrassed and angry, her own father, Dessie, is determined to support her but as the small town is driven into a frenzy of gossip, his loyalty is soon put to the test.
As speculation, suggestion and rumour mount will Sharon manage to keep her secret intact? Will Dessie continue to stand by his daughter and how will the ‘snapper’ be welcomed into the world?
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Des Curley (Colm Meaney), Sharon's father, shows the whole world in his face, his emotions ranging from outrage toward Sharon for embarrassing the family to tender concern as her time draws near. As the eight-member family trips all over each other emotionally (ironically symbolized in their battles for the one bathroom, often occupied by Sharon), the tensions within the family grow more intense. Widespread speculation about who the father is disrupts the neighborhood, with some hotheads visiting their own brand of justice on the Curleys. The arrival of the baby offers a chance at resolution.
Often very funny and equally often very touching, the film features actors who do not act like actors, appearing to be grounded in the very neighborhood they inhabit in the film. With the pub as social center, we see the characters' lifestyles and mores--their attitudes toward sex and childbirth, their "escapes" from the workday, their daily amusements and sense of humor, and their lack of concern with the dogma of the church.
The second in Roddy Doyle's The Barrytown Trilogy, after The Commitments, this film like The Van, which follows, features author Roddy Doyle writing his own screenplay, Stephen Frears as director, Oliver Stapleton as cinematographer, and actor Colm Meaney (playing the father Des, here) as the emotional bridge among the characters, appearing in all three films and giving a sense of continuity among them. Set in north Dublin in a lower working class neighborhood where many families spend their whole lives, the film shows the reliance on humor when life might otherwise be too tragic to handle. Mary Whipple
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