The Silmarillion [Hardcover]

A complete summary is impossible, because the book spans millennia and has one earth-shattering event after another. But it includes the creation of Tolkien's invented pantheons of angelic beings under Eru Iluvatar, also known as God; how they sang the world into being; the creation of Elves, Men, and Dwarves (hobbits are, I think, not really covered); the legendary love story of Beren and Luthien, a mortal Man and an Elf maiden who gives up her immortality for the man she loves; the demonic Morgoth and Sauron; Elves of just about any kind -- bad, mad, dangerous, good, sweet, brave, and so forth; the creation of the many Rings of Power -- and the One Ring of Sauron; the Two Trees that made the sun and moon; and finally the quest of the Ringbearer, Frodo Baggins.

Many old favorites will pop up over the course of the book, such as Elrond, Galadriel, Gandalf, and so on. Fans of Elves will find plenty to feed their hunger; fans of Hobbits or Dwarves will not find as much here. It will also answer some questions that "Hobbit" and LOTR may raise, when references to long-ago incidents and people are made -- what is Numenor? Who are the Valar? This includes those things, and much more.

The writing style of Silmarillion is more akin to the Eddas, the Bible, or the Mabinogian than to "Lord of the Rings." It's more formal and archaic in tone; Tolkien did not get as "into" the heads of his characters in Silmarillion as he did in LOTR, and there is no central character.... Needless to say, this is necessary as a more in-depth approach would have taken centuries to write, let alone perfect. If readers can bypass the automatic dislike of more formal prose, they will find enchanting stories and a less evocative but very intriguing writing style. This style strongly leans on the Eddas, collections of story and song that were unearthed and translated long ago. Though obviously not as well-known as LOTR, it is clear that these collections helped influence the Silmarillion.

It's clear to see, while reading this, the extent of Tolkien's passion for his invented history. Someone who had a lack of enthusiasm could not have spent much of his adult life writing, revising, and polishing a history that never was. It's also almost frighteningly imaginative and real: It isn't too hard to imagine that these things could actually have happened. In a genre clogged with shallow sword'n'sorcery, Tolkien's coherent, carefully-written backstory is truly unique.

If you can take the formal prose and mythical style, this is a treasure, and a must-read for anyone who loved LOTR or "Hobbit." Only after reading "The Silmarillion" can readers truly appreciate Tolkien's literary accomplishments, and the full scope of the Middle-Earth that is glimpsed in his more famous books. Read more ›

Tolkien did that deliberately. He created a complete world, with a history from start to finish. Lord of the Rings is only the end of the tale that starts in the Silmarillion, with the beginning of Middle Earth. He wanted LotR to be the story, the compelling tale, but what happens in it, and the places it happens in, is all part of a great history.
That history is told in this book. From creation of Middle Earth to beyond the end of LotR, it covers everything that happened. It genuinely is a complete mythology.

For that reason, the Silmarillion is an inferior *story* to LotR, but tells you the *history*. It doesn't read like a story at all, but like a history, a bible of Middle Earth. Many, many happenings, places and especially names, will put off the casual reader, and rightly so. It is the stuff of legend, too dense for anyone without an interest in getting to the heart of Middle Earth and, therefore, LotR and the Hobbit.

One of the best things is the glossary in the back, which has in it every term, name, thing and place in Middle Earth, and what they are. Of course, even though it is technically a prequel to LotR, don't attempt reading it first.... Like I say, it fills out the world that LotR and the Hobbit create. Read more ›

I highly and whole-heartedly recommend this audiobook to all who love Tolkien's tales of Middle Earth - but with one small reservation. There are some very long descriptions of the lay-out of Valinor and Middle Earth. There are great lists of unfamiliar place names, described as being north of this place, south-west of that place, below this range of mountains, to the east of that river and so on. It can be very confusing when you have no map to refer to, as you can when reading the book. The book also provides graphic representations of the genealogies of the elves and men in the stories. The stories tell of many many characters, some with similar sounding names. It's easy to get confused. I had access to the maps and genealogies in my book and that was fortunate for me because I would find it difficult to keep track otherwise. Under the circumstances (there being so many descriptions of distance and location) it's surprising that there is not a map included with this audiobook. There are maps in the book because they are extremely useful - indispensable for people with little or no spatial ability, like me.... The BBC's audiobook of Lord of the Rings includes a lovely big copy of the map of Middle Earth from the book. Unfortunately, that won't help you to find your way around the Middle Earth of The Silmarillion because great floods and upheavals have drowned and distorted the land by the end of the second age. If you have a good imagination for geographical data and a good memory for names (unlike me), none of this will seem to be a problem. Otherwise, you'll enjoy some parts of this audiobook more if you have access to the book with its maps and genealogies.

There are 13 CDs in the box and the reading time is about 14.75 hours. Read more ›