Afficianados of 'Ello 'Ello may find some of the accents in this curious little film familiar. There is, in fact, little attempt to recreate the period or the place faithfully, and the whole effect is of cheapness and cliché. The women's hairdos and dresses are very much 1962, not 1940. The set is as generic as the one Universal used for almost every film set in "Europe" for decades. Production values are generally low and the film quality poor. Then there are the clichés: amongst the enemy, we meet the good, troubled German, the wicked, sadistic German, and the workaday, decent sergeant who really ought to have been played by Michael Ripper; amongst the French, the appeaser, the passionate hothead, and the coolheaded organizer are all represented; clichéd too is the plot itself, with a local maiden, whose young brother is shot by the Germans, persuaded to exploit her hold over the good German in order to get information from him about troop movements--a task she finds remarkably easy, even as she begins to fall for him herself. The Resistance seems to find destroying German troop-trains and local infrastructure fantastically easy and we see no more reprisals. The only slight surprise is that the film does avoid Hollywood's usual demand for a neat resolution and a happy ending.