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This time, we are taken to the spring of 1809 when a few British soldiers are stationed in Lisbon as Marshal Soult undertakes his assault on the garrison of Northern Portugal. It's not for Sharpe and his trusty crew of riflemen to dwell on the finer points of politics when they are sent into the city of Oporto to save the lives of two British women who have elected to stay. But when one of the women, Kate Savage, goes missing, Sharpe (along with Sergeant Patrick Harper and several battle-hardened colleagues) finds himself besieged in the city when the bridge over the river falls to the enemy. The English are forced on in a desperate journey back to the safety of the British encampment, but things become very murky when an enigmatic English officer informs them that they will be staying in the hellhole that is Northern Portugal.
Cornwell admirers will know exactly what to expect, and all the heady pleasures that distinguished such earlier books as Sharpe's Battle and Sharpe's Company are fully in place here, with the added impetus that comes from a notably picaresque narrative. All the central characters are drawn with the customary forcefulness, and instead of the expected tension and release that is the hallmark of most Cornwell novels, there's a steadily increasing excitement engendered here that leads to an all-stops-out finale. --Barry Forshaw --This text refers to an out of print or unavailable edition of this title.
‘Sharpe and his creator are national treasures.' Sunday Telegraph
'Bernard Cornwell is a literary miracle. Year after year, hail, rain, snow, war and political upheavals fail to prevent him from producing the most entertaining and readable historical novels of his generation.' Daily Mail
'Cornwell's narration is quite masterly and supremely well-researched.' Observer
‘The best battle scenes of any writer I’ve ever read, past or present. Cornwell really makes history come alive.’ George R.R. Martin
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I'll leave the plot there except to say that it's a ripping yarn (and I've been reading them for twenty years). We meet an upper-class villain fit to take on Sir Henry Simmerson; a beautiful, runaway heiress; and a young Portuguese officer of character and education who has a thing or two to learn from Sharpe. Deja vu? Well, some of the best vus are deja. There have been better ones than this but not many. The atmosphere is as thick as Dan Hagman's tea. There are passages of real sardonic humour, which comes as a relief after the last outing. The action sequences are many and unsurpassed. My only regret is that an old favourite, Sweet William, hasn't shown up yet.
The time slots are filling up but Cornwell makes good use of them. Sharpe and Harper march again. What are you waiting for? And if you didn't understand any of the above, still read the book.
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