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While acknowledging European colonial culpability, he refuses to rinse his words in guilt. The Shadow of the Sun is reminiscent of Gianni Celati's Adventures in Africa, employing similarly symphonic atmospherics that can bear poetic witness to both the tragic history of Rwanda and the Ngubi beetle, which toils in the desert to produce the sweat it drinks to survive. As much about the plastic water container as the warlord and preferring the African shanty town to the Manhattan skyscraper as a monument to human achievement, what Kapuscinski, the author of Shah of Shahs describes is not Africa, which he claims does not exist except geographically but a distillation of life itself, through its religiosity, its trees, the frightening abundance of youth, sun that "curdles the blood" and terrorising, ruling armies that fall in a day. The first in a projected trilogy pulling together Africa, Central America and Asia, The Shadow of the Sun is an exceptional and humbling work of imagination and experience by a writer intent on liberating truths from fact. --David Vincent --This text refers to an out of print or unavailable edition of this title.
"From the U.K.: "
""A dazzling narrative historian, using his own experience as the principal archive. . . . he is never less than clear and pungent; his short chapter on the genocidal hatreds of Rwanda is worth a hundred newspaper features. . . . He brings the world to us as nobody else." -- Ian Jack, "The Observer"
"Kapuscinski doesn't just 'cover' Africa -- he knows it. His perspective is both vast and uniquely informed." -- Keith Wilson, "Focus"
"His book most successfully conveys the charms, frustrations, tragedies, comedies, brutalities, and kindnesses of life in Africa. . . . as an observer, and as a recorder of his observations, he is second to none." -- Anthony Daniels, "Sunday Telegraph
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"His is the first wide-ranging, elegant, aristocratic intelligence since Conrad's to bear on Africa in all its perplexity. . . . Kapuscinski is a master of the charismatic shorthand that leaves the reader knowing all there is to know, yet wanting to know more." -- Jeremy Harding," Evening Standard"
"Both subtle and haunting, a book written with love and longing, as sharp and life-enhancing as the sun that rises on an African morning." -- Anthony Sattin, "Sunday Times"
"An elliptical picture of African life that is intellectually acute and emotionally rich." -- Will Cohu," Daily Telegraph"
"He has given the truest, least partial, most comprehensive and vivid account of what life is like on our planet. He is an unflinching witness "and" an exuberant stylist." -- Geoff Dyer, "The Guardian"
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That said, it's very worth reading this book, not so much for the reportage as for the analysis. His dispatches from civil war zones are amazingly lurid, especially from Liberia. But maybe too lurid to be food for thought beyond 'heart-of-darkness' similes.
What I particularly value in this book is his very lucid and measured analysis of the rise of Amin; of the ubiquity of the warlord and child soldier; of the genocide in Rwanda; of the class structure of independent Africa; of the perils facing even the most patriotic of African leaders (here, Eritrea; in his book The Soccer Wars he makes a similar point about Ben Bella in Algeria). And his vignettes of daily life are also fascinating: the witchcraft he used against burglars in Lagos, the merchant lady in Senegal.
In notice the cover of this book is plastered with glowing reviews - but not one is from from an African source or african writer. What do Africans make of it, I wonder...
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