The Secret Scripture [Hardcover]

The acclaim that has greeted Sebastian Barry’s The Secret Scripture is varied and enthusiastic, and it's not hard to see why. When Frank McGuiness praised it for ‘raw, rough beauty’ and described Sebastian Barry's fiction as ‘unique’ and ‘magnificent’, this claim was no hostage to fortune; just a few sentences of the prose here will convince most readers of the justice of those words. As in the best-selling A Long Long Way, Barry is concerned with the imperatives of telling a story, but in a literary form that is rich with both psychological understanding and a skilful conjuring of time and place.

Roseanne McNulty may (or may not) be on the point of nearing her 100th birthday -- but there is little certainty about this fact. In her twilight years, her destiny is uncertain, as the Roscommon Mental Hospital -- her home for so many years of her life -- is on the point of closing. As the fateful hour approaches, Roseanne spends her time of talking to her psychiatrist of many years, Dr Grene. The relationship between the two is strangely interdependent, and the doctor is also attempting to come to terms with the death of his wife. As we learn more about the two principal protagonists, we are presented with a rich and subtle picture of human relationships -- and the (often unintentional) damages that we all do to each other.

The form of the book consists of the separate journals of Roseanne and Dr Grene, and we gradually learn about Roseanne’s family in Sligo in the 1930s. What emergence is a poignant personal history; it is also a subtly ambitious picture of nothing less than the Irish psyche at a particular point in its history. There are echoes here of another great Irish chronicler of the human condition, William Trevor, and The Secret Scripture is no worse for that. --Barry Forshaw

aThese lives are reimagined in language of surpassing beauty. Above all it is the surpassing quality of Mr. Barryas language that gives it its power . . . Mr. Barry has said that his novels and plays often begin as poems (he is a published poet), but his language never clots the flow of his story; it never gives a whiff of labor and strain. It is like a song, with all the pulse of the Irish language, a song sung liltingly and plaintively from the top of Ben Bulben into the airy night.a
aDinitia Smith, "NY Times Daily Book Review"
aJust as he (Barry) describes people stopping in the street to look at Roseanne, so I often found myself stopping to look at the sentences he gave her, wanting to pause and copy them down . . . When I reached the last page, I did feel that I had shared a profound experience . . .a
aMargot Livesey, "The Boston Globe"
aLuminous and lyrical.a
aPam Houston, "O Magazine"
aIad nominate Sebastian Barry, the most exhilarating prose stylist in Irish fictionawhich just about makes him, by definition, the best prose writer in the English language . . . Barry has shown a dazzling facility with poetry, drama and fictionahis works form a mosaic-like whole, though each stands on its own. He never uses a fancy word when a simple one will do; his characters speak a plain vocabulary, but in cadences tempered and honed into poetry . . . Sebastian Barryas achievement is unlike that of any other modern Western writer, a tapestry of interrelated works in different mediums woven from strands of his past and that of his country. "The Secret Scripture" fits seamlessly into a vision that seeks to restore with language that which has been taken away byhistory.a
aAllen Barra, "Salon.com"

'Exceptionally finely written ... [It] assembles a disquieting portrait of a woman destroyed by politics and misogyny.'

'One of the first great novels of this century.'

'It's a story to treasure, and Roseanne is a teller to remember.'

A beautiful and moving novel of a remarkable woman's stolen life.

'[A] magnificent and heart-rending novel ... Roseanne and Dr Grene, though hardly ever described, are incarnated with such commitment and narrative astuteness that you feel you are standing in the rain of their lives.'

'Barry was shortlisted for the 2005 Booker with A Long Long Way and, if there is any justice, can expect an equally strong showing this year.'

'This is a superb book about memory and conflicting versions of the past.'

'The Secret Scripture is not at all like its illustrious predecessor but is equally powerful and memorable. It confirms that Sebastian Barry is at the forefront of contemporary Irish fiction.'

Nearing her one-hundredth birthday, Roseanne McNulty faces an uncertain future, as the Roscommon Regional Mental hospital where she's spent the best part of her adult life prepares for closure. Over the weeks leading up to this upheaval, she talks often with her psychiatrist Dr Grene, and their relationship intensifies and complicates. Told through their respective journals, the story that emerges is at once shocking and deeply beautiful. Refracted through the haze of memory and retelling, Roseanne's story becomes an alternative, secret history of Ireland's changing character and the story of a life blighted by terrible mistreatment and ignorance, and yet marked still by love and passion and hope.

Longlisted for the 2008 MAN Booker Prize

'I once lived among humankind, and found them in their generality to be cruel and cold, and yet could mention the names of three or four that were like angels. I suppose we measure the importance of our days by those few angels we spy among us . . .' Roseanne McNulty, perhaps nearing her one-hundredth birthday - no one is quite sure - faces an uncertain future, as the Roscommon Regional Mental Hospital where she's spent the best part of her adult life prepares for closure. Over the weeks leading up to this upheaval, she talks often with her psychiatrist Dr Grene. This relationship, guarded but trusting after so many years, intensifies and complicates as Dr Grene mourns the death of his wife. Told through their respective journals, the story that emerges - of Roseanne's family in 1930s Sligo - is at once shocking and deeply beautiful. Refracted through the haze of memory and retelling, Roseanne's story becomes an alternative, secret, history of Ireland. Exquisitely written, it is the story of a life blighted by terrible mistreatment and ignorance, and yet marked still by love and passion and hope. 'Barry proves once again that the artist makes the best historian, and that the tragic figures who are wrong-footed by history, provide the most compelling accounts of the past.' Hugo Hamilton --This text refers to the Paperback edition.

Sebastian Barry was born in Dublin in 1955 and educated at The Catholic University School and Trinity College, Dublin, where he was later Writer Fellow in 1996. His plays include Boss Grady's Boys (1988), The Steward of Christendom (1995), Our Lady of Sligo (1998), and The Pride of Parnell Street (2007), and his novels, The Whereabouts of Eneas McNulty (1998), Annie Dunne (2002), and most recently A Long Long Way (2005), which was the Dublin: One City One Book choice for 2007 and was shortlisted for the Man Booker and the Dublin International Impac Prize. He has won among other awards the Irish-America Fund Literary Award, The Christopher Ewart-Biggs Prize, the London Critics Circle Award, and The Kerry Group Irish Fiction Prize. He lives in Wicklow with his wife Ali and three children, Merlin, Coral and Tobias.