"The Seas'" narrator is nineteen, a waif-like girl who, unable to move from adolescence to womanhood, believes herself to be a mermaid. When she was eight years-old, her father walked into the sea, never to be seen again. She and her mother often sit on the beach, near the ocean's edge where his footprints were last seen, watching - waiting for him to return. Wet footprints appear to her in the oddest places, convincing her that he has come back. He had told her that she was a mermaid - a gift from the sea. She believes him, after all these years. She reasons that if her father is alive, then he must be a creature of the sea and that she, his daughter, must be the same. And like the mermaids in Hans Christian Andersen's tale, and Friedrich de La Motte Fouque's "Undine," our lost young protagonist loves a man and longs for him to return her intense affections. Unlike the fairy tales, however, one assumes she is not dependent on this man's love to gain a mortal soul.
Jude, the man in question, is older, nearly twice her age. He returned from the Iraq War "a year and a half after the president declared the war was over." He had already served three years and seven months in the Army, but decided to stay at the front a bit longer. He needed the money. The bleak, Northeastern seaside town where they live has nothing to offer him, nor anyone else really. He doesn't own a fishing boat, which is the only way to make money in the tiny hamlet. Our mermaid is certain that Jude, now a hard drinking, womanizing sailor, is her prince. Jude, however, has problems of his own. Never having fully recovered from the traumas of battle - he was finally evacuated for Post Traumatic Stress Syndrome - he believes the young woman is forbidden to him. She is like a critical war secret he has been prohibited to reveal. "Like if I say your name or if I touch you, I'd get court-martialed, found guilty, and executed."
Ms. Hunt's narrative is sparse and somewhat random in nature, according to her protagonist's apparent whims. It almost reads like a personal journal, with chapter titles for each entry. A literary work, "The Seas" is hauntingly beautiful with lyrical, almost ethereal prose and filled with ocean imagery. An atmosphere of melancholy permeates, with mystical, fantastical elements. The young woman's angst, and the sorrows of her wounded warrior, wrench the heart. There is dark humor here also. "All mermaids do is swim around and kill sailors. Not a great job."
The characters are brilliantly portrayed, including the grandfather who is obsessed with typesetting a dictionary. He gives his granddaughter words and definitions to ponder throughout, and the story is filled with typographical games. He discovers a word in a Russian English dictionary, "razbliuto." He says there is no English equivalent. "The word means, the feelings one retains for someone he once loved," he explains, and challenges his listeners to come up with an English one word meaning. When everyone fails, the old man continues, "It's like the little house love moved out of, maybe a hermit crab moves in and carries the house across the floor of a tidal pool. The lover sees the old love moving and it looks like it's alive again." This is a poignant novel, and sometimes painful. Don't let that put you off. "The Seas" mesmerizes. It is a fabulous tale and is so worth the read. I loved this book!
Samantha Hunt has been twice nominated for a Pushcart Prize and has been published in the anthology Trampoline, McSweeney's, Colorado Review, Jubilat, The Literary Review, The Iowa Review, Western Humanities Review, NewMediaPoets.com, and has appeared on NPR's "This American Life."
JANA