Not quite three short novels, but three long stories - "The Scorpion God", set in ancient Egypt; "Clonk Clonk", set in Africa somewhere around the Dawn of Man; and "Envoy Extraordinary", set during the late Roman Empire. All are distinguished by Golding's glorious if occasionally difficult style - it's sometimes hard to discern precisely what is going on, but that's because the author is trying to project you into the consciousness of people who are fundamentally different from you - pre-Christian, pre-industrial, pre-rational and in one case prehistoric. All three stories deal with the emergence of new forms of consciousness and hence, new forms of society - in the first, we see the vague beginnings of the Pharaohs; in the second, perhaps, the beginning of the sex war; in the third (in many ways the least difficult of the three) the brilliantly ironic fate of a few ideas which were centuries, not years, before their time. In "Envoy Extraordinary" only - the story set closest to modern times - the attempted change of consciousness does not succeed, is deliberately repressed - or rather, removed until later. There's a real sting in this tale, just as logical, just as inevitable and far less predictable than the ending of Golding's excellent Pincher Martin; the barbs in "Clonk Clonk" and "The Scorpion God" are a bit more subtle and may take longer to sink in, but you'll feel them all right.