I don't know what the hard-edged, life-or-death sections of Britain's secret services are actually like. But if I had to pick any piece of televisual fiction that "feels" the most realistic, then Sandbaggers would be it. An apparently conscious expose of the total nonsense of the world of James Bond, Sandbaggers follows Neil Burnside's (Roy Marsden's) small and underfunded team thorugh a web of political machinations, double dealing, smoke screens and dubious objectives.
Crucially, much of the "action" is office based. Marsden's character has been retired from the field. This series is as much about politics as it is about espionage.
Its real success is imbuing every major character with moral ambiguity. It is the polar opposite of the heroes and villains approach that infects so much of this genre. You will be able to detect some degree of genuine patriotism in each of the key players - but this is often buried under an avalanche of desire for personal career advancement or simple survival (either literal or professional).
Although played out in the Cold War era, the debate and confusion surrounding the Anglo-American relationship - particularly the level of trust or mistrust in the CIA is probably even more pertinent in the 21t century than it was in the 1970s. Neil Burnside's (Roy Marsden's) rampant pro-Atlanticism is a disturbing mixture of hard-headed pragmatim and deep-rooted, but rarely expressed, ideological conviction.
The plots range from enjoyable to sensational, but are never farcical. You'll need to pay close attention to each episode to get the most out of it (this isn't a series to watch whilst doing the ironing or after coming home from the pub). But an attentive viewer will not get lost in the way they might do in a fiendish Le Carre plot.
To counter a previous review (below), the "break bumpers" (but obviously not the commercials themselves) are retained on this DVD release, but this is a positive benefit. Firstly, they provide useful pause points for taking a two minute comfort break or topping up the coffee and secondly, they are necessary to disguise numerous camera angle cuts which would look decidedly odd if the viewer was not aware that a commercial break had been straddled.
This series comes very highly recommended to anyone with even a fleeting interest in the spy/espionage genre. It only fails to get five star rating because of its ever-so-slightly dated feel (including some rather cardboard sets), but if - like me - you find this endearing and nostalgic, then this will rate as one of the very best purchases of classic British television you will ever make.