'The Romantics' is of interest primarily because it attempts to delineate a 'provincial' India, as opposed to the more 'metropolitan' outlook of Rushdie, Seth, Desai, et al. The narrator, for example, grows up in Allahabad, spends time in Benares and then retires in Dharamshala. As such, it is is often fascinating in its description of the manners and mores of the smaller cities (the attitudes of the tourists who visit Benares, for example, or the outlook of students caught up in politics-infested universities). The author obviously is drawing upon his experiences while researching his earlier 'Butter Chicken In Ludhiana'. The painstaking, detailed descriptions are Flaubertian, and the cool, clinical dissection of events and incidents owes something to Naipaul. However, on too many occasions, Mishra substitutes summaries of scenes and events, rather than describe the actual scenes and events themselves. After a while, this smacks of being a literary short-cut and has the rather unfortunate effect of distancing the characters from the reader. We need to hear what they actually sound like, for example -- but in place of dialogue, all too often there is merely recapitulation. All things considered, however, 'The Romantics' does chart new territory for the Indian novel in English and as such, it is definitely worth reading.