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Review Since then the gossip columnists have been doing their best to sniff out the real reasons behind the split. But by doggedly avoiding the personal, Chesney's new album The Road And The Radio offers scant insight into the real emotions of the man.
Having written almost all of 2005's Be As You Are, this time expert Nashville songwriters Rivers Rutherford, Aimee Mayo and Radney Foster were called in to come up with yet more tales of sunshine, beer and all-purpose nostalgia presumably leaving Chesney more time to see his lawyers or go shopping for muscle tops. --Sue Keogh
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Definitely continuing in his inimical style--well, to a point--Chesney doesn't look back (except in his lyrics!) and marches to his own drummers (and full band) in clearly and decisively declaring his own identity and trademark. In-your-face country with a back beat (that even impresses Chuck Berry), Kenny's musical odyssey continues like Sherman to Atlanta (but without the after effects of that other campaign!). And who needs Rene for this?
Traditionalists (and even country purists), of course, continue to roll their eyes at the turn of "their" music, arguing (perhaps rightfully so) that the likes of Chesney, Twain, Dixie Chicks, even Garth are merely mutants headed in obscene directions, but the fans, who aren't so set in their ways, don't mind.
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