This gripping, suspenseful novel will be hard to turn off - even by listeners with no or very little interest in the sci-fi genre. The Road begins in the late fall sometime in the future after catastrophe of horrible proportions has struck the continent. Two survivors, a man and his son, are traveling in a southerly direction. Are they seeking a warmer climate? Are they escaping from marauding bandits? Are they trying to locate other survivors? The pair carry their possessions in a grocery cart. The abandoned towns and cities are covered with a coating of gray ash. The forests contain the charred remains of bushes and trees. They subsist on what they can glean from abandoned houses, barns, and fields. Due to past experiences, they purposely avoid any contact with other people. Were they concerned about deadly contagious disease? robbery? murder? some kind of communicable radiation sickness? As the story progresses, the man becomes seriously ill and finally dies. The boy, of undetermined age, is left alone. Does he survive? Violence is minimal but a sense of doom pervades the story. Narrator Rupert Degas is superb. His deep, whispery, almost ominous tone further enhances this riveting tale of survival in the face of utter hopelessness. He gives each character a distinct voice that is appropriate for the situation. The abridging editor also deserves high marks for maintaining the storyline yet forcing the listener to fill in the blanks, all of which made this a step above a run-of-the-mill sci-fi novel experience. Violence is minimal but a sense of doom pervades the story. --Soundcommentary.com
Rupert Degas is the most versatile of narrators: he excels in Haruki Murakami and was Pantalaimon in Philip Pullman's multivoiced Northern Lights. Chill menace is his forte, so when you turn on his narration of Cormac McCarthy's The Road get ready to turn into a hypnotised rabbit. --Christina Hardyment, The Times
Waterstone's Book Quarterly
of humankind...[it's] impossible to recommend it too highly.'