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In spite of the handful of slipshod faults in story and directorial force, she holds her own against the vibrantly dilapidated set decorations along with a variety of other equally important characters. There's a creepy ex-boyfriend, a disgusting being stalking a phantom woman she recognises from her psychosis-induced visions, and a hunky guy who's facing down mysteries from his own past. (Do they all intersect? Hmmm...) She even stands her ground against Sam Shepard, who is all but slumming it in his few scenes as her dad. He talks about an incident that forever changed her when she was 11 years old, but his weird allusions are as enigmatic as the film itself, which desperately wants to be better than it is. But The Return still carries its share of respectable fears that are made scarier by the effectively edited string of spooky noises and images. Together they add up to make a worthy entrant in the genre of understated ghost story. --Ted Fry
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