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The Return of the King: The Lord of the Rings, Part 3 Paperback – 30 Aug 2012


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Product details

  • Paperback: 464 pages
  • Publisher: HarperCollins; Film tie-in edition edition (30 Aug. 2012)
  • Language: English
  • ISBN-10: 0007488351
  • ISBN-13: 978-0007488353
  • Product Dimensions: 13 x 2.9 x 19.7 cm
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (1,334 customer reviews)
  • Amazon Bestsellers Rank: 5,517 in Books (See Top 100 in Books)

More About the Author

J.R.R. Tolkien was born on 3rd January 1892. After serving in the First World War, he became best known for The Hobbit and The Lord of the Rings, selling 150 million copies in more than 40 languages worldwide. Awarded the CBE and an honorary Doctorate of Letters from Oxford University, he died in 1973 at the age of 81.

Product Description

Review

‘The story moves on with a tremendous narrative rush to its climax… extraordinary imaginative work, part saga, part allegory, and wholly exciting.’
The Times

‘A triumphant close… a grand piece of work, grand in both conception and execution. An astonishing imaginative tour de force.’
Sunday Telegraph

From the Publisher

This is the third part of a 3 book edition in A format paperback which reproduces the complete unabridged text of the three books, The Fellowship of the Ring, The Two Towers and The Return of the King, that together make up The Lord of the Rings. The Appendices and Index are included in The Return of the King. This reset edition contains newly drawn maps by Stephen Raw, based on original maps by Chistopher Tolkien's original maps. --This text refers to an out of print or unavailable edition of this title.

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Front Cover | Copyright | Table of Contents | Excerpt | Index
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Customer Reviews

Most Helpful Customer Reviews

28 of 29 people found the following review helpful By Dmitriy T on 30 Jun. 2014
Format: Hardcover
It's perfect! The images became better (colours is richer) and it's more detailed comparing with the 3-book HarperCollins illustrated edition from 2002. The slipcase is cool and simple. The book came in a special cardboard box from HarperCollins. It weigt 2,410 kg and it has 1217 pages. The chalk overlay paper is thick enough. The font is clear and of a good size (neither too big nor too small). Two maps are on the endpapers (the large-scale map of Middle-earth at the end of The Third Age & the detailed map of Rohan, Gondor and Mordor) and one more (Shire map) is indise on a page of the book. This new edition features a special 3-page foldout frontispiece showing the complete version of Alan Lee's painting of a Ringwraith flying out from Minas Morgul towards Minas Tirith. This complete version of the painting has never been included before. In addition to this, all 50 paintings have been reproduced from brand new digital scans provided by Mr Lee and they look stunning. It's a really ultimate edition! I wouldn't say it's too bulky, but as a story told inside, the book is monumental outside) You will like it, I'm sure! It is of the highest quality!

P.S. And one more thing to tell. I found that the pagination is quite different from the usual (like in 3-volume HarperCollins illustrated edition from 2002). So now it doesn't fit my "The Lord of the Rings: A Reader's Companion (Hardback)" 2005 year edition (ISBN 13: 9780618642670). I can't use the LOTR references from this book. I guess if they corrected the pagination in their new "The Lord of the Rings: A Reader's Companion" 2014 year edition (ISBN 13: 9780007556908). ADD: I found that they had not corrected it.
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326 of 344 people found the following review helpful By Mr. R. A. Seffen on 3 Jan. 2009
Format: Paperback
To all the people who've given this a low mark, and all seem to have the same gripe with it - you all fail to understand that this is not a novel in the sense we've come to understand as a fantasy novel these days, so it's not fair to judge it as such.
Tolkien was not a career author, he didn't set out to write a searing page-turner, a wizzbang tale of derring-do in 500 sizzling chapters. Gandalf doesn't hurl raging fireballs at enemies, Aragorn doesn't have a sex scene with Arwen while doing Eowyn behind her back, there's no pandering to the lowest common denominator to flog a few more copies.
Tolkien barely cared if no one ever read it. He was writing it largely for himself and his friends and family.
You're all guilty of confusing the result of Tolkien's legacy and influence (virtually every other fantasy novel, movie or game) with his actual work, and expecting to see in the father what you've seen in his unruly children.

Judge it for what it is, not for what you wanted it to be as a modern fantasy reader.
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86 of 91 people found the following review helpful By T. Bobley on 11 July 2004
Format: Audio CD
Then Rob Inglis will read you the best story ever written.

Story telling is a tradition that predates book writing and reading by thousands of years. These days it's a luxury to be able to listen to the story teller. I've read Lord of the Rings too many times to be able to remember but up to now, nobody has ever read it to me. Rob Inglis has remedied that sad deficit. It took me a short while to get into the unfamiliar 'listener' state of mind because listening is a different discipline, a different skill, to reading. Somehow, it takes more concentration but perhaps that's just because of lack of practise. Once the right level of concentration was achieved, Rob Inglis's voice and the images it conjured, filled my mind to the exclusion of all else. It's hard to imagine the craft of story telling being executed any better than this.

This story teller managed to reproduce the voices of hobbits, men, elves, dwarves, wizards, eagles, nazgul, orcs and Gollum - all different and all very fitting for the characters represented. Not only that but he sang each song from the book, unaccompanied and they all sounded good.

It's the best present anyone has given me and I expect to listen to it at least as many times as I've read the book.
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6 of 6 people found the following review helpful By Mike London on 8 Oct. 2012
Format: Paperback
Over the past several decades, THE LORD OF THE RINGS has sold millions of copies and is commonly regarded as one of the most influential fantasy novels ever published. Many first time readers have began their trek into Middle-earth with Frodo and the Company of the Ring in recent years. What they will encounter there has been loved by millions of readers before them, and if they allow themselves to respond to Tolkien and his Myth will doubtless become a loyal and ardent fan of Tolkien and those furry-footed hobbits. What's also notable about THE LORD OF THE RINGS is, for a book as long as it is, many of its readers reread the novel many times over. Yet despite its enduring popularity, Tolkien is often held in complete disregard by the literary establishment.

The real question is why? In the literary climate that is characterized by modernism and post-modernism where the twentieth and twenty first century is a wasteland why does a "series" of fantasy novels become one of the most beloved works in modern times?

It's because the power of myth over the human imagination works wonders, creating a longing and a hunger that, Tolkien argues, is met by the Christian religion. Tolkien and C. S. Lewis are the flip-sides of the same coin, with Lewis giving us accounts of the longing and Tolkien providing the books that would create that longing. And what about the longing? It's that longing for Myth, that love for those beauties which Tolkien shows us in THE LORD OF THE RINGS. It's that longing that sets man apart from all other creatures in the universe: a craving for beauty and for joy. The German word for this longing is "senhsucht".
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