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Review
'A sober, thoughtful book that asks how history views the responsibilities of authorities in times of tragedy.' --Metro, ****
'An artful piece of work ... As a documentary novel, The Report gains from the virtues of both forms.' --Times Literary Supplement
`A smart and troubling novel of ideas which explores the power of crowds and collective guilt' --Financial Times
'An astute and subtle meditation on whether a written account of a traumatic event can ever satisfy all its objectives' --Telegraph
'Composed yet rawly emotional ... An East End ravaged by the blitz is powerfully recreated'
--Guardian
'An artful piece of work ... As a documentary novel, The Report gains from the virtues of both forms.' --Times Literary Supplement
`A smart and troubling novel of ideas which explores the power of crowds and collective guilt' --Financial Times
'An astute and subtle meditation on whether a written account of a traumatic event can ever satisfy all its objectives' --Telegraph
'Composed yet rawly emotional ... An East End ravaged by the blitz is powerfully recreated'
--Guardian
Product Description
It is an early spring evening in 1943 when the air-raid sirens wail out over the East End of London. From every corner of Bethnal Green, people emerge from pubs, cinemas and houses, and set off for the shelter of the tube station. But at the entrance steps, something goes badly wrong, the crowd panics, and 173 people are crushed to death.When an enquiry is called for, it falls to the local magistrate, Laurence Dunne, to find out what happened during those few, fatally confused, minutes. But as Dunne gathers testimony from the guilt-stricken warden of the shelter, the priest struggling to bring comfort to his congregation, and the grieving mother who has lost her youngest daughter, the picture grows ever murkier. The more questions Dunne asks, the more difficult it becomes to disentangle truth from rumour - and to decide just how much truth the damaged community can actually bear. It is only decades later, when the case is re-opened by one of the children who survived, that the facts can finally be brought to light...
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Most Helpful Customer Reviews
35 of 36 people found the following review helpful
Format:Paperback
The novel is based around the report of an inquiry into the deaths from suffocation, in 1943, of 173 people in a crush at the entrance to an underground station used as an air-raid shelter in Bethnal Green, East London. The siren had sounded but no air-raid materialised. A respected magistrate, Laurence Dunne, was commissioned to write a report for the government and this he did in three weeks, interviewing witnesses, rescuers and officials.
Predominantly through the eyes of eight-year old Tilley, her mother Ada, young clerk Bertram, vicar McNeely, and warden Low we are taken through the events and emotions and fears of the period. Thirty years on Tilley's adopted brother, Paul, is making a documentary film of the tragedy and interviews the report's author. The conflicts between the elderly retired magistrate who wanted his report to bring an understanding of the tragedy rather than allot blame and the young filmmaker who still sees in black and white, truth and wrongness, are well observed. "Your parents said that I knew the crowd wasn't guilty. ... What's the opposite of guilty?', "Innocent?" "Well, they weren't that, either."
Herbert Morrison, the government minister remembered only for his shelter, sat on the report and it wasn't published until after the war. In 1943 I was seven, lived in the London suburbs only about 16 miles from Bethnal Green, was an avid listener to the news on the wireless (and slept many nights in a Morrison shelter). Yet the real tragic events described were new to me. Bad news did not escape government censorship. Likewise a first to me was a description of sewing circles making topographical quilts of German landscapes for the Royal Air Force.
Jessica Francis Kane has woven her characters, their feelings, emotions, reasons, opinions and fears into a compelling novel which I found difficult to put down.
Predominantly through the eyes of eight-year old Tilley, her mother Ada, young clerk Bertram, vicar McNeely, and warden Low we are taken through the events and emotions and fears of the period. Thirty years on Tilley's adopted brother, Paul, is making a documentary film of the tragedy and interviews the report's author. The conflicts between the elderly retired magistrate who wanted his report to bring an understanding of the tragedy rather than allot blame and the young filmmaker who still sees in black and white, truth and wrongness, are well observed. "Your parents said that I knew the crowd wasn't guilty. ... What's the opposite of guilty?', "Innocent?" "Well, they weren't that, either."
Herbert Morrison, the government minister remembered only for his shelter, sat on the report and it wasn't published until after the war. In 1943 I was seven, lived in the London suburbs only about 16 miles from Bethnal Green, was an avid listener to the news on the wireless (and slept many nights in a Morrison shelter). Yet the real tragic events described were new to me. Bad news did not escape government censorship. Likewise a first to me was a description of sewing circles making topographical quilts of German landscapes for the Royal Air Force.
Jessica Francis Kane has woven her characters, their feelings, emotions, reasons, opinions and fears into a compelling novel which I found difficult to put down.
20 of 21 people found the following review helpful
Format:Paperback
During the Blitz in London in 1943, an extraordinary event took place in Bethnal Green. On March 3, 1943, when the air raid warning sirens went off, thousands of people headed, as usual, toward the nearest bomb shelter, the local Tube station, a one-entrance location which could accommodate up to ten thousand people within a few minutes of their arrival. Some had come here many times and knew that they could reserve cots and places to sleep for the night. Others just took their chances, hoping that the emergency would not last long and that they would be able to return home soon afterward. On this night, something unique happened. One hundred seventy-three people died of asphyxia within a minute of their arrival, all suffocated in the crush on the first twenty stairs of the entrance. Ironically, "not a single bomb had fallen in the city that night."
Author Jessica Francis Kane, who studied the original government inquiry into the reasons for this catastrophe, draws on the facts of the real Bethnal Green case to create a fictionalized version of what went wrong. The actual facts, gathered and put into a report by Sir Laurence Dunne within three weeks of the events, had been hushed up by the government so as not to alarm the people or create questions about the government's ability to handle crises. Wanting to avoid placing blame on people who might become scapegoats, he had written his report with a concern for human feelings and for what humans need in order to deal with disasters during fraught times such as war. "Perhaps," he suggests, "we should only sometimes be held accountable for the unintended consequences of our actions."
A cast of repeating characters becomes more and more developed as the action proceeds. The attitudes toward refugees, especially Jews, affect the perceptions of some of the witnesses, while others, actively involved in the protection of lives during the Blitz, assume blame which was really not theirs to assume. Kane carefully reveals the facts of the case, but she does so within the context of the lives of her characters, always showing how and why these people say and do what they do. The characters elicit sympathy, and when all the details are known, the reader feels the same sorts of conflicts that Sir Laurence Dunne felt when he wrote his report.
Kane does a remarkable job of revealing the feelings of these characters for others who have been involved, and their feelings for the more general needs of the community, regardless of the strict definitions of right and wrong. She writes clearly and succinctly and avoids flights of sentimentality, always showing the big picture, the big moral issues, and the big questions of responsibility. A fine novel, The Report offers a different way of looking at historical events--rationally, but with a kindness toward the participants which protects their integrity and their future lives. "Speculative journalism" and the rush to blame are not yet a way of life at this time. Mary Whipple
Author Jessica Francis Kane, who studied the original government inquiry into the reasons for this catastrophe, draws on the facts of the real Bethnal Green case to create a fictionalized version of what went wrong. The actual facts, gathered and put into a report by Sir Laurence Dunne within three weeks of the events, had been hushed up by the government so as not to alarm the people or create questions about the government's ability to handle crises. Wanting to avoid placing blame on people who might become scapegoats, he had written his report with a concern for human feelings and for what humans need in order to deal with disasters during fraught times such as war. "Perhaps," he suggests, "we should only sometimes be held accountable for the unintended consequences of our actions."
A cast of repeating characters becomes more and more developed as the action proceeds. The attitudes toward refugees, especially Jews, affect the perceptions of some of the witnesses, while others, actively involved in the protection of lives during the Blitz, assume blame which was really not theirs to assume. Kane carefully reveals the facts of the case, but she does so within the context of the lives of her characters, always showing how and why these people say and do what they do. The characters elicit sympathy, and when all the details are known, the reader feels the same sorts of conflicts that Sir Laurence Dunne felt when he wrote his report.
Kane does a remarkable job of revealing the feelings of these characters for others who have been involved, and their feelings for the more general needs of the community, regardless of the strict definitions of right and wrong. She writes clearly and succinctly and avoids flights of sentimentality, always showing the big picture, the big moral issues, and the big questions of responsibility. A fine novel, The Report offers a different way of looking at historical events--rationally, but with a kindness toward the participants which protects their integrity and their future lives. "Speculative journalism" and the rush to blame are not yet a way of life at this time. Mary Whipple
16 of 17 people found the following review helpful
Format:Paperback|Amazon Vine™ Review
(What's this?)
"The Bethnal Green Tube shelter disaster took place on the evening of Wednesday March 3, 1943.
173 people died in a terrifying crush as panic spread through the crowds of people trying to enter the station's bomb shelter in the East End of London.
However, no bomb struck and not a single casualty was the direct result of military aggression, making it the deadliest civilian incident of World War Two."
Jessica Francis Kane, read the full historical transcript of the enquiry into this, the worst civilian disaster of the Second World War, and she used what she read as the basis of her debut novel, a wonderfully vivid picture of people living through the event and its aftermath.
She tells her story through a number of characters: A mother who lost her younger daughter; her elder daughter, who survived but would not speak; the warden of the shelter, devastated by what has happened; a young man who was delayed, who wonders if he might have been able to make a difference;a vicar, looking for answers, wanting to offer comfort and support...
All of their stories are beautifully observed, with just the right details picked to illuminate those lives. A hand held too tightly. A wireless turned up to mask a conversation. A breakfast left untouched. The picture is clear, and it is moving without ever becoming sentimental.
It falls to Lawrence Dunne, the local magistrate, to investigate and report on what happened. A fundamentally good man, he wanted to understand, he wanted lessons to be learned, and he wanted to show understanding of what people had been through, of what they had to endure in wartime conditions.
His story added another dimension. Much is said about the human instinct to find someone to blame, about how those who are ready to accept blame often accept more than they should, and about how apportioning blame is not really a resolution.
And, maybe most importantly, I saw the lives of Jessica Kane's characters. I understood their words and their actions, their strengths and their weaknesses. They were flawed, vulnerable human beings.
I saw the world they lived in, the terrible event they lived through and had to live with. And I learned from it.
Thirty years after the event a young filmmaker, whose family was affected by the tragedy, interviews Sir Lawrence Dunne for a documentary about the tragedy.
Another dimension, it brought a different perspective, and it tied things together nicely, with a devastating final revelation.
The Report is such a vivid human story, a beautifully written book that made me feel and made me think.
And it is a story that will stay with me.
173 people died in a terrifying crush as panic spread through the crowds of people trying to enter the station's bomb shelter in the East End of London.
However, no bomb struck and not a single casualty was the direct result of military aggression, making it the deadliest civilian incident of World War Two."
Jessica Francis Kane, read the full historical transcript of the enquiry into this, the worst civilian disaster of the Second World War, and she used what she read as the basis of her debut novel, a wonderfully vivid picture of people living through the event and its aftermath.
She tells her story through a number of characters: A mother who lost her younger daughter; her elder daughter, who survived but would not speak; the warden of the shelter, devastated by what has happened; a young man who was delayed, who wonders if he might have been able to make a difference;a vicar, looking for answers, wanting to offer comfort and support...
All of their stories are beautifully observed, with just the right details picked to illuminate those lives. A hand held too tightly. A wireless turned up to mask a conversation. A breakfast left untouched. The picture is clear, and it is moving without ever becoming sentimental.
It falls to Lawrence Dunne, the local magistrate, to investigate and report on what happened. A fundamentally good man, he wanted to understand, he wanted lessons to be learned, and he wanted to show understanding of what people had been through, of what they had to endure in wartime conditions.
His story added another dimension. Much is said about the human instinct to find someone to blame, about how those who are ready to accept blame often accept more than they should, and about how apportioning blame is not really a resolution.
And, maybe most importantly, I saw the lives of Jessica Kane's characters. I understood their words and their actions, their strengths and their weaknesses. They were flawed, vulnerable human beings.
I saw the world they lived in, the terrible event they lived through and had to live with. And I learned from it.
Thirty years after the event a young filmmaker, whose family was affected by the tragedy, interviews Sir Lawrence Dunne for a documentary about the tragedy.
Another dimension, it brought a different perspective, and it tied things together nicely, with a devastating final revelation.
The Report is such a vivid human story, a beautifully written book that made me feel and made me think.
And it is a story that will stay with me.
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Most Recent Customer Reviews
Good, not great
Well, based on the reviews I had high hopes for this book...good but it could have been so much better. Read more
Published 2 days ago by London Matron
Bit of a chore
This was our book club choice so had to persevere with it even though I really was not enjoying the book. Was exactly what the title explained A Report. Read more
Published 12 days ago by H. Ramshaw
I'm happy to Report...
I really enjoyed this book, especially given that it was based on real events, albeit tragic ones. I'm fascinated by all things World War II, and that was another reason for me... Read more
Published 1 month ago by Guitar Heroine
Impressive
The Report is a wonderfully written novel based on the true events in Bethnal Green during World War 2. Read more
Published 1 month ago by Stracs
Hmmmm...
Dull is the word that springs to mind when reviewing this book, closely followed by dreary. A terribly sad story, an important story, however it could have been told better. Read more
Published 1 month ago by PigletsPress
Strangely sterile
This is a strange book; it takes a really interesting historical event - a fatal crush at an Underground bomb shelter - and then takes an oddly detached viewpoint on it. Read more
Published 2 months ago by Deliabattie
Do people want the whole truth or just as much as they can deal with?
I was really intrigued with this book as I love historical novels. Jessica Kane has done a very clever thing as she has combined truth with fiction. Read more
Published 2 months ago by C. Rucroft
An Absorbing and Thought-Provoking Read
This moving and absorbing story was inspired by a tragic event which occurred during the Blitz in Bethnal Green, London, when a large number of people lost their lives in the worst... Read more
Published 3 months ago by Susie B
WW2 Civilian Tragedy
This book is a novel based around the biggest civillian tragedy in world war 2 in which 173 people were killed in a crush at Bethnall Green tube station. Read more
Published 3 months ago by Swirlygirly30
Very disappointing
When I first heard about this book I was very excited to read it however when I did read it I was gravely disappointing. Read more
Published 3 months ago by Justhavingfun
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