As with many recent accounts of the renaissance, this little book spends a large number of its compact pages questioning the very term itself. In fact, at one point, Mr Brotton seemed to be in danger of defining it as the period in history which subsequent generations have uniquely defined for their particular needs. But don't stop reading, this book does in the end convey, and in one sitting, the revolutionary and extraordinary nature of this epoch, even if it does try sometimes too hard to provide a liberally pleasing post 9/11 interpretation. We learn far more of Arabic contribution to the birth of modernity than that of Michelangelo or Botticelli, however, the persistent hammer of the argument does, inevitably, start to feel persuasive. One is not allowed either, to come away from the book without having any romantic notions of the renaissance hugely diminished. It would appear that we escaped from the dismal religious claustrophobia of the medieval world through rising social inequality, the megalomania of ruthless tyrants, ruthless professional ambition together with the expedient needs of warfare, trade, and ultimately, African slavery and the rape of the America's.
Strangely, Brotton is a little more perfunctory when it comes to his gender studies duties, merely contenting himself to point out that though the renaissance brought a Copernican revolution in regards to how man saw his place in the world, renaissance man still saw women's place to be in the home.
The book is not in the form of a continuous narrative, but instead devotes each chapter to a particular theme such as the darker side of the renaissance or renaissance literature. Brotton is particularly good in detailing the tremendous influence of the invention of printing in spreading knowledge and the new learning, and consequently bringing about massive social changes. He points teasingly to a comparison with the internet, though it is left to the reader to wonder if the new information revolution will lead to a new renaissance or to something truly darker.