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The Relevance of the Beautiful and Other Essays
 
 
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The Relevance of the Beautiful and Other Essays [Paperback]

Hans-Georg Gadamer , Robert Bernasconi , Nicholas Walker

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This volume explores some of the more important of Hans-Georg Gadamer's extensive writings on art and literature. The principal text included is 'The Relevance of the Beautiful', Gadamer's most sustained treatment of philosophical aesthetics. The eleven other essays focus particularly on the challenge issued by modern painting and literature to our customary ideas of art, and in turn revitalize our understanding of it. Gadamer demonstrates the continuing importance of such concepts as imitation, truth, symbol, and play for our appreciation of contemporary art, and thereby establishes its continuity with the Western tradition. The essays here are not technical and are readily accessible to the beginning student and the general reader. The collection as a whole serves to illustrate the practice of hermeneutics and to introduce Gadamer's thought. Robert Bernasconi provides an introduction clarifying the central aims of the essays and their relations to Gadamer's major work, Truth and Method, and to the philosophy of art since Kant. A bibliography of Gadamer's writings available in English is also included.

Book Description

This volume explores some of the more important of Hans-Georg Gadamer's extensive writings on art and literature. These essays focus particularly on the challenge issued by modern painting and literature to our customary ideas of art, and in turn revitalise our understanding of it. They are readily accessible to beginning students and general readers.

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I think it is most significant that the question of how art can be justified is not simply a modern problem, but one that has been with us from the very earliest times. Read the first page
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15 of 15 people found the following review helpful
Ars Critica 30 Jun 2004
By M. Willett - Published on Amazon.com
Format:Paperback
In The Relevance of the Beautiful, Gadamer hopes to justify the ways of art to modern man. He's answering Plato's banishment of the poets in The Republic, and every other such banishment, including Hegel's, who claimed that "art is a thing of the past" on the grounds that art re-establishes our sense of transcendence and order, that it "bridges the chasm between the ideal and the real," establishes our sense of "play," and otherwise enlarges our experience of life, communally, spiritually, culturally, and individually. It teaches us to go beyond ourselves. German philosopher, Hans-Georg Gadamer, famed student of Heidegger and author of the seminal Truth and Method, offers this phenomenological defense. As translated by Robert Bernasconi, Gadamer writes such a poetic and aphoristic prose that anyone with a moderate background in the arts can read it, as well as philosophers, artists, and critics. This essay is useful for a number of reasons: it gives articulate defenses-or condemnations-of translation, modern music (both pop and experimental), kitch, religious art, and historical painting. It is further particularly useful to me in that the grounds on which he makes many of his defenses mirror those of P.B. Shelley in "A Defense of Poetry."

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