Keb MO has a tendency to polish all the rough edges off his music until it glitters like a diamond and "The Reflection" isn't going to win Moore any new fans among blues listeners. It's essentially a jazz-leaning pop record, with cameos from artists like neo-soul songstress India.Arie and legendary sax player Dave Koz. For the first time, Moore's guitar is largely relegated to a background role, with the production centered on keyboards, saxes, and various rhythm sections (some of which include programmed drums instead of the real thing). The effect is overwhelmingly like late-1970s MOR music (think Michael McDonald) injected with a shot of soul and, occasionally, funk.
What makes The Reflection so frustrating is that there are some great songs here, but you have to wade through some utter garbage to get to them. The best of the bunch is the leadoff single, "The Whole Enchilada," an up-tempo track whose theme of finding real and lasting love is cleverly stated: "Now that you've got her, whatcha gonna do?/Are you gonna be any better/Than the man you had to be to get her?" It's the kind of thoughtful, musically interesting song that would have fit well with the other relationship-themed songs on Suitcase.
I bought this CD in the hope that he was back to the quality of "Suitcase", I was disappointed.
A nice album no more and no less...